Buxton Orr
- Composer
- 7 on MovieCove · 10 credits in all
What are Buxton Orr's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
A split, not a type: Light 0 · Serious 4 · Dark 3
Grounded 3 · Stylized 3 · Heightened 1
Gentle 0 · Charged 5 · Intense 2
Steady 3 · Shifting 4 · Whiplash 0
Straight-faced 6 · Some laughs 1 · Funny 0
Slow burn 3 · Even-paced 4 · Relentless 0
A split, not a type: Casual 4 · Engaged 2 · Full focus 1
Easy watch 2 · Affecting 4 · Heavy 1
Resolved 5 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy1
- Bittersweet2
- Tragic2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Buxton Orr's films?
As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).
Subscription and free streaming for Buxton Orr's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 7 with a MovieCove page.

How to Undress in Public Without Undue Embarrassment (not in the MovieCove catalog yet)(1965)

The Eyes of Annie Jones(1963)
Midcredits score: 30th percentile of all films
Walk a Tightrope (not in the MovieCove catalog yet)(1963)

The Snake Woman(1961)
Midcredits score: 9th percentile of all films
Doctor Blood's Coffin(1961)
Midcredits score: 11th percentile of all films
Suddenly, Last Summer(1959)
Midcredits score: 90th percentile of all films
First Man Into Space(1959)
Midcredits score: 17th percentile of all films
Corridors of Blood(1958)
Midcredits score: 54th percentile of all films
Fiend Without a Face(1958)
Midcredits score: 46th percentile of all films
Grip of the Strangler (not in the MovieCove catalog yet)(1958)
Career shape
A full career of 10 titles from 1958 to 1965.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Buxton Orr's films land?
Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 35th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th2
- Below 25th3
Shape of the crowd
None of their 7 titles divides audiences: 5 are Broadly Agreed.
- Universally Loved1
- Crowd Pleaser1
- Broadly Agreed5
Reviewers score the sound and music 57/100 in their films, across 5 reviewed titles; fans 63, detractors 46. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Buxton Orr work with?
People who share at least 2 of Buxton Orr's MovieCove titles, grouped by what they did on them; Charles F. Vetter shares the most, 3.
Directors
- Sidney J. FurieShared titles: Doctor Blood's Coffin (1961), The Snake Woman (1961)See all 2 shared titles with Sidney J. Furie

- Robert DayShared titles: First Man Into Space (1959), Corridors of Blood (1958)See all 2 shared titles with Robert Day

Actors
- Marshall ThompsonShared titles: First Man Into Space (1959), Fiend Without a Face (1958)See all 2 shared titles with Marshall Thompson

Cinematographers and editors
- Antony GibbsShared titles: Doctor Blood's Coffin (1961), The Snake Woman (1961)See all 2 shared titles with Antony Gibbs
- Stephen DadeShared titles: Doctor Blood's Coffin (1961), The Snake Woman (1961)See all 2 shared titles with Stephen Dade
- Geoffrey FaithfullShared titles: First Man Into Space (1959), Corridors of Blood (1958)See all 2 shared titles with Geoffrey Faithfull
- Peter MayhewShared titles: First Man Into Space (1959), Corridors of Blood (1958)See all 2 shared titles with Peter Mayhew
Producers
- Charles F. VetterShared titles: First Man Into Space (1959), Corridors of Blood (1958), Fiend Without a Face (1958)See all 3 shared titles with Charles F. Vetter
- John CroydonShared titles: First Man Into Space (1959), Corridors of Blood (1958), Fiend Without a Face (1958)See all 3 shared titles with John Croydon
- Richard GordonShared titles: First Man Into Space (1959), Corridors of Blood (1958), Fiend Without a Face (1958)See all 3 shared titles with Richard Gordon
- David E. RoseShared titles: Doctor Blood's Coffin (1961), The Snake Woman (1961)See all 2 shared titles with David E. Rose




