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Manuel Parada

Composer · Died July 10, 1973, aged 62 · San Felices de los Gallegos, Salamanca, Castilla y León, Spain

Born
June 26, 1911
Died
July 10, 1973 (aged 62)
From
San Felices de los Gallegos, Salamanca, Castilla y León, Spain
Works as
Composer
Titles
5 on MovieCove · 77 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 17% in 30 days

What are Manuel Parada's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Themes

share of theme weight
Morality
68%
Power
24%
Survival
8%
Revenge3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeGrief2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 4 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 0 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Melancholic
2
Joyful
1
Thrilling
2
Absurd
1

How their films linger

Bittersweet3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet2
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Manuel Parada's films?

As of October 24, 2026, 3 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Manuel Parada's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

77 credits, 5 with a MovieCove page.

  • Songs for After a War (not in the MovieCove catalog yet)(1976)

    Composer

  • The Guerrilla (not in the MovieCove catalog yet)(1973)

    Composer

  • Nada menos que todo un hombre (not in the MovieCove catalog yet)(1972)

    Composer

  • El sobre verde (not in the MovieCove catalog yet)(1971)

    Composer · Writer

  • El hombre que se quiso matar (not in the MovieCove catalog yet)(1970)

    Composer

  • The Other Residence (not in the MovieCove catalog yet)(1970)

    Composer

  • Los extremeños se tocan(1970)

    Composer

    Midcredits score: 4th percentile of all films (provisional, few ratings)

  • El relicario (not in the MovieCove catalog yet)(1970)

    Composer

  • Con ella llegó el amor (not in the MovieCove catalog yet)(1970)

    Composer

  • Un adulterio decente (not in the MovieCove catalog yet)(1969)

    Composer

  • No somos ni Romeo ni Julieta (not in the MovieCove catalog yet)(1969)

    Composer

  • El marino de los puños de oro (not in the MovieCove catalog yet)(1968)

    Composer

  • The Mark of Kriminal (not in the MovieCove catalog yet)(1968)

    Composer

  • Satanik (not in the MovieCove catalog yet)(1968)

    Composer

  • The Taste of Vengeance(1968)

    Composer

    Midcredits score: 25th percentile of all films

  • Ringo: The Lone Rider (not in the MovieCove catalog yet)(1968)

    Composer

  • Aquí mando yo (not in the MovieCove catalog yet)(1967)

    Composer

  • Avenger X (not in the MovieCove catalog yet)(1967)

    Composer

  • ¿Por qué morir en Madrid? (not in the MovieCove catalog yet)(1966)

    Composer

  • La vida nueva de Pedrito de Andía (not in the MovieCove catalog yet)(1965)

    Composer

  • Tres gorriones y pico (not in the MovieCove catalog yet)(1965)

    Composer

  • Currito de la Cruz (not in the MovieCove catalog yet)(1965)

    Composer

  • Assault on Fort Texan (not in the MovieCove catalog yet)(1965)

    Composer

  • Django the Honorable Killer(1965)

    Composer

    Midcredits score: 2nd percentile of all films

  • Black Angel of the Mississippi (not in the MovieCove catalog yet)(1964)

    Composer

  • Shots Ring Out!(1964)

    Composer

    Midcredits score: 6th percentile of all films (provisional, few ratings)

  • Man of the Cursed Valley (not in the MovieCove catalog yet)(1964)

    Composer

  • La revoltosa (not in the MovieCove catalog yet)(1963)

    Composer

  • El secreto de Tomy (not in the MovieCove catalog yet)(1963)

    Composer

  • An Almost Decent Girl (not in the MovieCove catalog yet)(1963)

    Sound

  • The Implacable Three (not in the MovieCove catalog yet)(1963)

    Composer

  • The Sign of the Coyote(1963)

    Composer

    Midcredits score: 1st percentile of all films

  • Cristo Negro (not in the MovieCove catalog yet)(1963)

    Composer

  • Los derechos de la mujer (not in the MovieCove catalog yet)(1963)

    Composer

  • Plaza de Oriente (not in the MovieCove catalog yet)(1963)

    Composer

  • The Shadow of Zorro (not in the MovieCove catalog yet)(1962)

    Composer

  • You and I Are Three (not in the MovieCove catalog yet)(1962)

    Composer

  • Zorro the Avenger (not in the MovieCove catalog yet)(1962)

    Composer

  • Fray Escoba (not in the MovieCove catalog yet)(1961)

    Composer

  • Bello recuerdo (not in the MovieCove catalog yet)(1961)

    Composer

  • Los dos golfillos (not in the MovieCove catalog yet)(1961)

    Composer

  • Hijo de hombre (not in the MovieCove catalog yet)(1961)

    Composer

  • Ella y los veteranos (not in the MovieCove catalog yet)(1961)

    Composer

  • Teresa de Jesús (not in the MovieCove catalog yet)(1961)

    Composer

  • Mi calle (not in the MovieCove catalog yet)(1960)

    Composer

  • Don Lucio and Brother Pío (not in the MovieCove catalog yet)(1960)

    Composer

  • El Litri y su sombra (not in the MovieCove catalog yet)(1960)

    Composer

  • Terror of Oklahoma (not in the MovieCove catalog yet)(1959)

    Composer

  • El pasado te acusa (not in the MovieCove catalog yet)(1958)

    Composer

  • The Italians They Are Crazy (not in the MovieCove catalog yet)(1958)

    Composer

  • Tormento d'amore (not in the MovieCove catalog yet)(1956)

    Composer

  • Fail in Communism (not in the MovieCove catalog yet)(1956)

    Composer

  • Noche de tormenta (not in the MovieCove catalog yet)(1955)

    Composer

  • Comedians (not in the MovieCove catalog yet)(1954)

    Composer

  • Asylum (not in the MovieCove catalog yet)(1954)

    Composer

  • Crimen en el entreacto (not in the MovieCove catalog yet)(1954)

    Composer

  • The Eyes Leave a Trace (not in the MovieCove catalog yet)(1952)

    Composer

  • The Great Galeoto (not in the MovieCove catalog yet)(1951)

    Composer

  • The Black Man Who Had a White Soul (not in the MovieCove catalog yet)(1951)

    Composer

  • La noche del sábado (not in the MovieCove catalog yet)(1950)

    Composer

  • El duende y el rey (not in the MovieCove catalog yet)(1950)

    Composer

  • Paz (not in the MovieCove catalog yet)(1949)

    Composer

  • Siempre vuelven de madrugada (not in the MovieCove catalog yet)(1949)

    Composer

  • An Ordinary Woman (not in the MovieCove catalog yet)(1949)

    Composer

  • Loyola, the Soldier Saint (not in the MovieCove catalog yet)(1949)

    Composer

  • El sótano (not in the MovieCove catalog yet)(1949)

    Composer

  • The Sunless Street (not in the MovieCove catalog yet)(1948)

    Composer

  • Alhucemas (not in the MovieCove catalog yet)(1948)

    Composer

  • La mies es mucha (not in the MovieCove catalog yet)(1948)

    Composer

  • Fuenteovejuna (not in the MovieCove catalog yet)(1947)

    Composer

  • The Faith (not in the MovieCove catalog yet)(1947)

    Composer

  • Dulcinea (not in the MovieCove catalog yet)(1947)

    Composer

  • Mariona Rebull (not in the MovieCove catalog yet)(1947)

    Composer

  • Los últimos de Filipinas (not in the MovieCove catalog yet)(1945)

    Composer

  • El escándalo (not in the MovieCove catalog yet)(1943)

    Composer

  • Raza (not in the MovieCove catalog yet)(1942)

    Composer

  • Papá Chirola (not in the MovieCove catalog yet)(1937)

    Actor

Career shape

A full career of 76 titles from 1937 to 1976.

Most popular right now

Los extremeños se tocan (1970)

By role

only this rolewith another role
Acting1 of 76: 1 only acting, 0 with another roleWriting1 of 76: 0 only writing, 1 with another roleMusic74 of 76: 73 only music, 1 with another roleOther crew1 of 76: 1 only other crew, 0 with another role

By decade

1930s1 · acting1940s15 · crew1950s14 · crew1960s37 · crew1970s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Manuel Parada's films land?

Their typical MovieCove film has a Midcredits score in the 4th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 9th percentile for acclaim.

Acclaim · how much people like their films

9thpercentile
Typical film, the median of 5

Approval · how many liked their films

2ndpercentile
Typical film, the median of 5

Reach · how many have seen their films

8thpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 25th to 49th1
  • Below 25th4

Shape of the crowd

4 of their 5 titles are Mixed.

  • Universally Panned1
  • Mixed4

Most divisive · composer

Los extremeños se tocan (1970)

66th percentile spread · 70% rated it 4 or lower

Most loved · composer

The Taste of Vengeance (1968)

Midcredits 25th · 28% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Manuel Parada work with?

People who share at least 2 of Manuel Parada's MovieCove titles, grouped by what they did on them; Miguel del Castillo shares the most, 4.

Writers

Actors

Cinematographers and editors