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Ernest Pascal

Writer · Died November 4, 1966, aged 70 · London, England, UK

Born
January 11, 1896
Died
November 4, 1966 (aged 70)
From
London, England, UK
Works as
Writer
Titles
9 on MovieCove · 33 credits in all

What are Ernest Pascal's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 6 · Heightened 1

Gentle 2 · Charged 7 · Intense 0

Steady 3 · Shifting 5 · Whiplash 1

Straight-faced 2 · Some laughs 7 · Funny 0

Slow burn 4 · Even-paced 5 · Relentless 0

Casual 4 · Engaged 5 · Full focus 0

Resolved 6 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
6
Tense
3
Romantic
3
Hopeful
4
Warm
2
Other
4

How their films end · 2 with a twist

  • Happy5
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ernest Pascal's films?

As of October 24, 2026, 3 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Ernest Pascal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 9 with a MovieCove page.

  • Canyon Passage(1946)

    Screenplay

    Midcredits score: 80th percentile of all films
  • Night in Paradise (not in the MovieCove catalog yet)(1946)

    Writer

  • Destiny(1944)

    Screenplay

    Midcredits score: 40th percentile of all films
  • Jack London(1943)

    Screenplay

    Midcredits score: 11th percentile of all films
  • Flesh and Fantasy(1943)

    Screenplay

    Midcredits score: 75th percentile of all films
  • The Blue Bird(1940)

    Writer

    Midcredits score: 54th percentile of all films
  • Hollywood Cavalcade (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Midcredits score: 91st percentile of all films
  • Kidnapped (not in the MovieCove catalog yet)(1938)

    Screenplay · Writer

  • Love Under Fire (not in the MovieCove catalog yet)(1937)

    Writer

  • Wee Willie Winkie(1937)

    Screenplay

    Midcredits score: 74th percentile of all films
  • Lloyd's of London(1936)

    Screenplay

    Midcredits score: 79th percentile of all films
  • Here's to Romance (not in the MovieCove catalog yet)(1935)

    Screenplay · Story

  • Under the Pampas Moon (not in the MovieCove catalog yet)(1935)

    Screenplay

  • The Human Side (not in the MovieCove catalog yet)(1934)

    Writer

  • Grand Canary (not in the MovieCove catalog yet)(1934)

    Screenplay

  • As the Earth Turns (not in the MovieCove catalog yet)(1934)

    Screenplay

  • The King's Vacation(1933)

    Dialogue · Screenplay · Theatre Play

    Midcredits score: 75th percentile of all films
  • Husband's Holiday (not in the MovieCove catalog yet)(1931)

    Writer

  • The Age for Love (not in the MovieCove catalog yet)(1931)

    Novel · Screenplay

  • The Spy (not in the MovieCove catalog yet)(1931)

    Writer

  • Born to Love (not in the MovieCove catalog yet)(1931)

    Writer

  • Fair Warning (not in the MovieCove catalog yet)(1931)

    Adaptation

  • The Last of the Vargas (not in the MovieCove catalog yet)(1930)

    Writer

  • The Last of the Duanes (not in the MovieCove catalog yet)(1930)

    Adaptation

  • Wedding Rings (not in the MovieCove catalog yet)(1929)

    Novel

  • Interference (not in the MovieCove catalog yet)(1929)

    Dialogue

  • Man-Made Women (not in the MovieCove catalog yet)(1928)

    Story

  • Sensation Seekers (not in the MovieCove catalog yet)(1927)

    Story

  • The Savage (not in the MovieCove catalog yet)(1926)

    Story

  • Hell's Highroad (not in the MovieCove catalog yet)(1925)

    Novel

  • The Dark Swan (not in the MovieCove catalog yet)(1924)

    Novel

  • Chastity (not in the MovieCove catalog yet)(1923)

    Writer

Career shape

A full career of 32 titles from 1923 to 1946.

By role

only this rolewith another role
Writing32 of 32: 32 only writing, 0 with another role · typical Midcredits score75th

By decade

1920s8 · crew1930s19 · crew1940s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Ernest Pascal's films land?

Their typical MovieCove film has a Midcredits score in the 75th percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 72nd percentile for acclaim.

Acclaim · how much people like their films

72ndpercentile
Typical film, the median of 9

Approval · how many liked their films

75thpercentile
Typical film, the median of 9

Reach · how many have seen their films

58thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th1

Shape of the crowd

None of their 9 titles divides audiences: 6 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser6
  • Broadly Agreed2

Reviewers score the dialogue 53/100 and the plot and story 48/100 in their films, across 9 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ernest Pascal work with?

People who share at least 2 of Ernest Pascal's MovieCove titles, grouped by what they did on them; C. Aubrey Smith shares the most, 3.

Directors

Actors

Composers and cinematographers

Producers