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Gabriel Pascal

Gabriel Pascal

Producer and director · Died July 6, 1954, aged 60 · Arad, Austria-Hungary [now Romania]

From Wikipedia, the free encyclopedia.   Gabriel Pascal (4 June 1894 – 6 July 1954) was a Hungarian film producer and director. Born 1894 in Arad, Kingdom of Hungary, Austro–Hungarian Empire, Pascal was the first film producer to bring the plays of George Bernard Shaw successfully to the screen. His most famous production was Pygmalion, for which Pascal himself received an Academy Award nomination as its producer. Pygmalion was later adapted by Lerner and Loewe into the musical My Fair Lady. Pascal had tried to convince Shaw to let Pygmalion be turned into a musical, but the outraged Shaw explicitly forbade it, having had a bad experience with the operetta The Chocolate Soldier, based on Shaw's Arms and the Man. Pascal died in 1954, and it was not until 1956 that Pygmalion became My Fair Lady. Description above from the Wikipedia article Gabriel Pascal, licensed under CC-BY-SA,full list of contributors on Wikipedia.

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Biography from TMDB.

Born
June 4, 1894
Died
July 6, 1954 (aged 60)
From
Arad, Austria-Hungary [now Romania]
Works as
Producer and director
Titles
4 on MovieCove · 9 credits in all
TMDB popularity, last 39 days to Oct 28Down 3% in 30 days

What are Gabriel Pascal's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Power.

Themes

share of theme weight
Self
38%
Power
25%
Society
19%
Bonds
17%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 1 · Dark 0

Grounded 1 · Stylized 1 · Heightened 1

Gentle 3 · Charged 0 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 0 · Some laughs 0 · Funny 3

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Absurd
2
Contemplative
1
Warm
1
Joyful
1
Melancholic
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Gabriel Pascal's films?

As of October 24, 2026, all 4 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (3).

Subscription and free streaming for Gabriel Pascal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 4 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Interstate(2024)

    Unit Manager

    Midcredits score: 4th percentile of all films
  • Midcredits score: 42nd percentile of all films
  • Caesar and Cleopatra(1945)

    Director · Producer

    Midcredits score: 47th percentile of all films
  • Major Barbara (not in the MovieCove catalog yet)(1941)

    Director · Producer

  • Pygmalion(1938)

    Producer

    Midcredits score: 93rd percentile of all films
  • Cafe Mascot (not in the MovieCove catalog yet)(1936)

    Producer

  • Reasonable Doubt (not in the MovieCove catalog yet)(1936)

    Producer

  • The Living Dead (not in the MovieCove catalog yet)(1932)

    Producer

  • The Captain from Köpenick (not in the MovieCove catalog yet)(1931)

    Producer

Career shape

A full career of 9 titles from 1931 to 2024.

By role

only this rolewith another role
Directing2 of 9: 0 only directing, 2 with another roleProducing8 of 9: 6 only producing, 2 with another roleOther crew1 of 9: 1 only other crew, 0 with another role

By decade

1930s5 · crew1940s2 · crew1950s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Gabriel Pascal's films land?

Their typical MovieCove film has a Midcredits score in the 45th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 3

Approval · how many liked their films

48thpercentile
Typical film, the median of 3

Reach · how many have seen their films

66thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up1
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 4 titles divides audiences: 1 is Universally Loved.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser1
  • Mixed1

Reviewers score the atmosphere 60/100 and the pacing 48/100 in their films, across 3 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Gabriel Pascal work with?

People who share at least 2 of Gabriel Pascal's MovieCove titles; George Bernard Shaw shares the most, 3.