Angelo Pasquini
Writer · Born May 1, 1948 (78) · Roma, Italy
- May 1, 1948 (78)
- Roma, Italy
- Writer
- 4 on MovieCove · 28 credits in all
What are Angelo Pasquini's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Ideas and Power.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 2
Light 1 · Serious 1 · Dark 1
Grounded 0 · Stylized 3 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 0 · Even-paced 3 · Relentless 0
Casual 0 · Engaged 2 · Full focus 1
Easy watch 1 · Affecting 2 · Heavy 0
Resolved 0 · Open-ended 0 · Ambiguous 3
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Angelo Pasquini's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Angelo Pasquini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
28 credits, 4 with a MovieCove page; 1 appearance as themselves is hidden until asked for.
L’uomo giusto (not in the MovieCove catalog yet)(2026)
Leopardi. The Infinity Poet (not in the MovieCove catalog yet)(2025)
I fratelli De Filippo (not in the MovieCove catalog yet)(2021)
The Great Spirit (not in the MovieCove catalog yet)(2019)
The Stolen Caravaggio(2018)
Midcredits score: 40th percentile of all films
Pertini: Il combattente (not in the MovieCove catalog yet)(2018)
Boris Giuliano: un poliziotto a Palermo (not in the MovieCove catalog yet)(2016)
Abbraccialo per me (not in the MovieCove catalog yet)(2016)
The Confessions(2016)
Midcredits score: 44th percentile of all films
Long Live Freedom(2013)
Midcredits score: 76th percentile of all filmsNever for Love (not in the MovieCove catalog yet)(2012)
Angel of Evil(2010)
Midcredits score: 73rd percentile of all films
The Big Dream (not in the MovieCove catalog yet)(2009)
At a Glance (not in the MovieCove catalog yet)(2008)
Our Land (not in the MovieCove catalog yet)(2006)
Fog and Crimes (not in the MovieCove catalog yet)(2005)
Follow the Shadows (not in the MovieCove catalog yet)(2004)
Hidden Children (not in the MovieCove catalog yet)(2004)
A Woman of the North (not in the MovieCove catalog yet)(1999)
Santo Stefano (not in the MovieCove catalog yet)(1997)
Un eroe borghese (not in the MovieCove catalog yet)(1995)
Prestazione straordinaria (not in the MovieCove catalog yet)(1994)
Sud (not in the MovieCove catalog yet)(1993)
L'Atlantide (not in the MovieCove catalog yet)(1992)
Close Friends (not in the MovieCove catalog yet)(1992)
The Yes Man (not in the MovieCove catalog yet)(1991)
La settimana della sfinge (not in the MovieCove catalog yet)(1990)
It's Happening Tomorrow (not in the MovieCove catalog yet)(1988)
Career shape
A full career of 28 titles, 27 of them dated from 1988 to 2025.
How do Angelo Pasquini's films land?
Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 45th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th2
Shape of the crowd
None of their 4 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Broadly Agreed1
- Mixed1
Reviewers score the dialogue 47/100 and the plot and story 40/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Angelo Pasquini work with?
People who share at least 2 of Angelo Pasquini's MovieCove titles, grouped by what they did on them; Roberto Andò shares the most, 3.
Directors
- Roberto AndòShared titles: The Stolen Caravaggio (2018), The Confessions (2016), Long Live Freedom (2013)See all 3 shared titles with Roberto Andò
Actors
- Toni ServilloShared titles: The Confessions (2016), Long Live Freedom (2013)See all 2 shared titles with Toni Servillo
Composers, cinematographers and editors
- Maurizio CalvesiShared titles: The Stolen Caravaggio (2018), The Confessions (2016), Long Live Freedom (2013)See all 3 shared titles with Maurizio Calvesi
- Marco BettaShared titles: The Stolen Caravaggio (2018), Long Live Freedom (2013)See all 2 shared titles with Marco Betta
- Clelio BeneventoShared titles: The Confessions (2016), Long Live Freedom (2013)See all 2 shared titles with Clelio Benevento
Producers
- Angelo BarbagalloShared titles: The Stolen Caravaggio (2018), The Confessions (2016), Long Live Freedom (2013)See all 3 shared titles with Angelo Barbagallo
