- Composer and actor
- 4 on MovieCove · 8 credits in all
What are Carlos Pes' films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Power.
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 2
Light 1 · Serious 2 · Dark 1
A split, not a type: Grounded 2 · Stylized 1 · Heightened 1
Gentle 1 · Charged 2 · Intense 1
Steady 0 · Shifting 4 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 1
A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 1
Casual 3 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Carlos Pes' films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Carlos Pes' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 4 with a MovieCove page.
The Boxer(1972)
Midcredits score: 27th percentile of all films
The Conjugal Debt (not in the MovieCove catalog yet)(1970)
Dorian Gray(1970)
Midcredits score: 37th percentile of all films
Dead of Summer (not in the MovieCove catalog yet)(1970)
Sweet Kisses and Languid Caresses (not in the MovieCove catalog yet)(1970)
Twice a Judas (not in the MovieCove catalog yet)(1968)
Midcredits score: 24th percentile of all films
Crazy Desire(1962)
Midcredits score: 70th percentile of all films
Career shape
A full career of 7 titles from 1962 to 1970.
Film career
- 1962Screen debut· Crazy Desire
How do Carlos Pes' films land?
Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 50th to 74th1
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 4 titles divides audiences: 3 are Mixed.
- Crowd Pleaser1
- Mixed3
Reviewers score the sound and music 58/100 in their films, across 4 reviewed titles; fans 73, detractors 35. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Carlos Pes work with?
People who share at least 2 of Carlos Pes' MovieCove titles; Catherine Spaak shares the most, 2.
- Catherine SpaakShared titles: The Boxer (1972), Crazy Desire (1962)See all 2 shared titles with Catherine Spaak
