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Diana Phillips

Producer

Works as
Producer
Titles
16 on MovieCove · 20 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 16% in 30 days

What are Diana Phillips' films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Comedy8 titlesTypical Midcredits score: 66th percentile, at or above their average across these genres
: browse their Comedy movies
Action2 titlesTypical Midcredits score: 10th percentile
: browse their Action movies
Drama2 titlesTypical Midcredits score: 37th percentile
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Self
23%
Morality
19%
Society
13%
Survival
9%
Power
7%
Family bonds4 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeMemory3 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 9 · Stylized 2 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 6 · Charged 3 · Intense 5

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 8 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 5 · Funny 3

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 6 · Even-paced 7 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 8 · Engaged 5 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 8 · Affecting 3 · Heavy 3

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 7 · Open-ended 3 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Contemplative
5
Warm
5
Absurd
4
Joyful
6
Other
15

How their films linger

Feel-good5 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteUnsettling4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy3
  • Bittersweet6
  • Ambiguous4
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Diana Phillips' films?

As of October 24, 2026, 12 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Diana Phillips' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

20 credits, 16 with a MovieCove page.

  • Park Avenue(2025)

    Producer

    Midcredits score: 58th percentile of all films (provisional, few ratings)

  • Turn in the Wound (not in the MovieCove catalog yet)(2024)

    Producer

  • Padre Pio(2022)

    Producer

    Midcredits score: 17th percentile of all films

  • Zeros and Ones(2021)

    Producer

    Midcredits score: 4th percentile of all films

  • Sportin' Life (not in the MovieCove catalog yet)(2020)

    Producer

  • Siberia(2020)

    Producer

    Midcredits score: 16th percentile of all films

  • Starfish (not in the MovieCove catalog yet)(2016)

    Executive Producer

  • Wild Child(2008)

    Producer

    Midcredits score: 64th percentile of all films

  • Death at a Funeral(2007)

    Producer

    Midcredits score: 88th percentile of all films

  • Alfie(2004)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • Birthday Girl(2001)

    Producer

    Midcredits score: 40th percentile of all films

  • Joe's Apartment(1996)

    Producer

    Midcredits score: 32nd percentile of all films

  • Blue in the Face(1995)

    Producer

    Midcredits score: 68th percentile of all films

  • Smoke(1995)

    Line Producer

    Midcredits score: 92nd percentile of all films

  • I Like It Like That(1994)

    Co-Producer

    Midcredits score: 74th percentile of all films

  • Daybreak(1993)

    Line Producer

    Midcredits score: 16th percentile of all films

  • Bad Lieutenant(1992)

    Line Producer

    Midcredits score: 81st percentile of all films

  • Angel III: The Final Chapter(1988)

    Production Coordinator

    Midcredits score: 13th percentile of all films

  • Call Me(1988)

    Unit Manager

    Midcredits score: 20th percentile of all films

  • American Nails (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 20 titles, 19 of them dated from 1988 to 2025.

Biggest box office

Death at a Funeral (2007)

$47M worldwide

Highest rated

Smoke (1995)

Midcredits 92nd

Most popular right now

Wild Child (2008)

By role

only this rolewith another role
Producing18 of 20: 18 only producing, 0 with another role · typical Midcredits score50thOther crew2 of 20: 2 only other crew, 0 with another role

By decade

1980s2 · crew1990s6 · crew2000s4 · crew2010s1 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Diana Phillips' films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 16; across their 14 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 14

Approval · how many liked their films

50thpercentile
Typical film, the median of 14

Reach · how many have seen their films

89thpercentile
Typical film, the median of 14

Midcredits score across 16 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th3
  • Below 25th6

Shape of the crowd

6 of their 16 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser4
  • Broadly Agreed2
  • Mixed6

Most divisive · producer

Padre Pio (2022)

91st percentile spread · 45% rated it 4 or lower

Most loved · producer

Smoke (1995)

Midcredits 92nd · 81% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Diana Phillips' work okay for kids?

Across up to 10 MovieCove titles with content scores, sex & nudity, profanity and alcohol & drugs run heavier than most films and violence & gore lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles18–85 · median 28 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity10 titles32–80 · median 49 · moderateheavier than most filmsMedian of all films: 32
Profanity5 titles49–89 · median 61 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles35–86 · median 53 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense3 titlesmedian 8 · minimalMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Diana Phillips work with?

People who share at least 2 of Diana Phillips' MovieCove titles, grouped by what they did on them; Abel Ferrara shares the most, 4.

Directors

Writers

Actors

Composers and editors

Producers

Mixed roles