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Lou Pomanti

Composer

Works as
Composer
Titles
7 on MovieCove · 12 credits in all
TMDB popularity, last 38 days to Oct 27Down 21% in 30 days

What are Lou Pomanti's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 1

Grounded 3 · Stylized 1 · Heightened 0

Gentle 3 · Charged 1 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
4
Hopeful
2
Tense
2
Joyful
2
Contemplative
2
Other
4

How their films end

  • Happy4
  • Bittersweet1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lou Pomanti's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Lou Pomanti's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 7 with a MovieCove page.

  • Secrets Unlocked(2019)

    Show Composer

    Midcredits score: 38th percentile of all shows (provisional, few ratings)
  • The Pharaoh in the Suburb: Uncovered (not in the MovieCove catalog yet)(2018)

    Composer

  • Charming Christmas(2015)

    Composer

    Midcredits score: 51st percentile of all films
  • An En Vogue Christmas(2014)

    Composer

    Midcredits score: 43rd percentile of all films
  • Love It or List It Vancouver(2013)

    Show Composer

    Midcredits score: 41st percentile of all shows
  • The Pig Farm(2011)

    Composer

    Midcredits score: 37th percentile of all films
  • Bailey's Billion$(2005)

    Composer

    Midcredits score: 11th percentile of all films
  • 1-800-Missing(2003)

    Show 1 episode · Composer

    Midcredits score: 32nd percentile of all shows
  • Big Spender (not in the MovieCove catalog yet)(2003)

    Composer

  • The Big Heist (not in the MovieCove catalog yet)(2001)

    Composer

  • Rembrandt: Fathers & Sons (not in the MovieCove catalog yet)(1999)

    Composer

  • Degas and the Dancer (not in the MovieCove catalog yet)(1998)

    Composer

Career shape

A full career of 9 titles from 1998 to 2018.

By role

only this rolewith another role
Music9 of 9: 9 only music, 0 with another role

By decade

1990s2 · crew2000s4 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Lou Pomanti's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 4

Approval · how many liked their films

37thpercentile
Typical film, the median of 4

Reach · how many have seen their films

46thpercentile
Typical film, the median of 4

Midcredits score across 7 titles, by percentile

  • 50th to 74th1
  • 25th to 49th5
  • Below 25th1

Reviewers score the sound and music 42/100 in their films, across 3 reviewed titles; fans 60, detractors 35. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Lou Pomanti work with?

People who share at least 2 of Lou Pomanti's MovieCove titles; Laszlo Barna shares the most, 2.