
Alberto Ponce
Editor · Born November 9, 1966 (59) · Concordia, Entre Rios, Argentina
Graduated from International School of Film and Television (EICTV) in San Antonio de los Baños, Cuba, in the field of editing, in which he have taught from 1995 to the present. He has done courses, workshops, seminaries and conferences in Argentina, Brazil, Colombia, Cuba, Chile, Spain, México, Dominican Republic, Uruguay and Venezuela. He was professor of editing at the Sound and Image Design School of Buenos Aires University (UBA) and at the National School of Filmmaking (ENERC) of the National Cinema and Audiovisual Arts Institute of Argentina (INCAA). He has edited more than 90 feature films in 12 countries and worked with directors as Leonardo Favio, Pino Solanas, Gerardo Vallejo, Damián Szifrón, Adrián Caetano, Diego Lerman, Jorge Alí Triana, Paula de Luque and Gabriel Nesci, among others. He has received the award Premio Coral to the best editing in the Habana International Film Festival 2006 and the Silver Condor Award to the Best Editing from the Argentine Film Critics Association (being nominated other six times), both for the film "Crónica de una fuga" by Adrián Caetano. Is a founder member of the Argentinean Association of Audiovisual Editors (SAE) of which he was the President between 2017/18. He has received twice the award that this Association gives to the Best Editing of the year for the films "La guayaba" by Maximiliano González and "Choele" by Juan Sasiaín. He is member of the Academy of Motion Picture Arts and Sciences of Argentina and received the Sur Award for Best Editing in 2024 for the film "The trial" by Ulises de la Orden. For this film, he also received his second Silver Condor Award from the Argentine Film Critics Association. In 2023 he received the Leonardo Favio Lifetime Achievement Award, granted by the Asociación de Cronistas Cinematográficos de Argentina. He was a member of the jury of the Latin American Official Competition of the 39th Mar del Plata International Film Festival. He published the book "La película manda. Conversaciones sobre el montaje cinematográfico en Argentina", UNTREF, 2013.
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Biography from IMDb.
- November 9, 1966 (59)
- Concordia, Entre Rios, Argentina
- Editor
- 16 on MovieCove · 77 credits in all
What are Alberto Ponce's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 13
A split, not a type: Light 7 · Serious 4 · Dark 3
Grounded 12 · Stylized 1 · Heightened 1
Gentle 6 · Charged 6 · Intense 2
Steady 8 · Shifting 5 · Whiplash 1
A split, not a type: Straight-faced 9 · Some laughs 3 · Funny 2
Slow burn 6 · Even-paced 8 · Relentless 0
A split, not a type: Casual 9 · Engaged 3 · Full focus 2
Easy watch 4 · Affecting 6 · Heavy 4
Resolved 9 · Open-ended 5 · Ambiguous 0
Moods and endings
- Happy4
- Bittersweet8
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alberto Ponce's films?
As of October 24, 2026, 9 of their 16 MovieCove titles stream on a subscription or free service, most on Netflix (4).
Subscription and free streaming for Alberto Ponce's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
77 credits, 16 with a MovieCove page.

The Giant Falls(2026)
Midcredits score: 46th percentile of all films
La casa (not in the MovieCove catalog yet)(2025)

Lágrimas de fuego (not in the MovieCove catalog yet)(2025)

The Heart Knows(2025)
Midcredits score: 35th percentile of all films
Mensaje en una botella(2025)
Midcredits score: 61st percentile of all films
Final Scene (not in the MovieCove catalog yet)(2025)

Goyo(2024)
Midcredits score: 63rd percentile of all films
Two Apples (not in the MovieCove catalog yet)(2023)

The Trial(2023)
Midcredits score: 99th percentile of all films
The Incomplete Man (not in the MovieCove catalog yet)(2022)
Midcredits score: 20th percentile of all films (provisional, few ratings)
The Foam of Days(2022)
Midcredits score: 91st percentile of all films (provisional, few ratings)
Ámbar (not in the MovieCove catalog yet)(2020)

Tomando estado (not in the MovieCove catalog yet)(2020)

That Guy From the Train (not in the MovieCove catalog yet)(2020)

The Heavenly Plan (not in the MovieCove catalog yet)(2019)

Mangoré(2019)
Midcredits score: 42nd percentile of all films
A Journey to the Fumigated Towns (not in the MovieCove catalog yet)(2018)

Dark Buildings (A Crack in the Wall) (not in the MovieCove catalog yet)(2018)

My Best Friend(2018)
Midcredits score: 68th percentile of all films
I Am Here (not in the MovieCove catalog yet)(2017)

Guests Always Return (not in the MovieCove catalog yet)(2017)

The Gold Seekers(2017)
Midcredits score: 82nd percentile of all films
Las palomas y las bombas (not in the MovieCove catalog yet)(2016)

The Red Thread(2016)
Midcredits score: 32nd percentile of all films
The Strategic Legacy of Juan Perón (not in the MovieCove catalog yet)(2016)

Hypersomnia(2016)
Midcredits score: 20th percentile of all films
Abzurdah (not in the MovieCove catalog yet)(2015)

Imprisoned(2015)
Midcredits score: 58th percentile of all films
Vendido (not in the MovieCove catalog yet)(2015)

The Open Window (not in the MovieCove catalog yet)(2014)

Una flor para las tumbas sin nombre (not in the MovieCove catalog yet)(2014)

Mauro (not in the MovieCove catalog yet)(2014)

La película manda (not in the MovieCove catalog yet)(2013)

Choele (not in the MovieCove catalog yet)(2013)

The Fracking War (not in the MovieCove catalog yet)(2013)

Cuando yo te vuelva a ver (not in the MovieCove catalog yet)(2013)

La rifa (not in the MovieCove catalog yet)(2013)

Blackie: una vida en blanco y negro (not in the MovieCove catalog yet)(2012)

Days of Vinyl (not in the MovieCove catalog yet)(2012)

Freedom (not in the MovieCove catalog yet)(2012)

i mae (not in the MovieCove catalog yet)(2011)

Land in Revolt: Black Gold (not in the MovieCove catalog yet)(2011)

Gente Mala del Norte (not in the MovieCove catalog yet)(2011)

Lecciones para un Beso(2011)
Midcredits score: 44th percentile of all films (provisional, few ratings)
Boca de fresa (not in the MovieCove catalog yet)(2010)

Orquesta roja(2009)
Midcredits score: 48th percentile of all films (provisional, few ratings)
The Invisible Eye (not in the MovieCove catalog yet)(2010)

Cómo se hizo "El exilio de Gardel" (not in the MovieCove catalog yet)(2010)

El vestido (not in the MovieCove catalog yet)(2009)

Land in Revolt: Impure Gold (not in the MovieCove catalog yet)(2009)

The portrait of the pestilence (not in the MovieCove catalog yet)(2009)

Raw Love (not in the MovieCove catalog yet)(2008)

The Next Station (not in the MovieCove catalog yet)(2008)

Licencia nº 1 (not in the MovieCove catalog yet)(2008)

1973, un grito del corazón (not in the MovieCove catalog yet)(2008)

Dormant Argentina (not in the MovieCove catalog yet)(2007)

Arizona sur (not in the MovieCove catalog yet)(2007)

Martín Fierro, el ave solitaria (not in the MovieCove catalog yet)(2006)

Chronicle of an Escape (not in the MovieCove catalog yet)(2006)

A Ton of Luck(2006)
Midcredits score: 69th percentile of all films
Veo veo (not in the MovieCove catalog yet)(2006)

On Probation (not in the MovieCove catalog yet)(2005)

The Holy Girl: Making Of (not in the MovieCove catalog yet)(2005)
Caballos en la ciudad (not in the MovieCove catalog yet)(2005)

La guerra de los gimnasios (not in the MovieCove catalog yet)(2004)

A Cab for Three (not in the MovieCove catalog yet)(2001)

Historias Breves 3 (not in the MovieCove catalog yet)(1999)

Candela (not in the MovieCove catalog yet)(1999)

Brain Drain (not in the MovieCove catalog yet)(1998)

Al salir de clase (not in the MovieCove catalog yet)(1997)

Historias Breves 2 (not in the MovieCove catalog yet)(1997)

Historias Breves II: ¡Ratas! (not in the MovieCove catalog yet)(1996)

Historias Breves II: Trece Segundos (not in the MovieCove catalog yet)(1996)

Historias Breves II: Vete de mí (not in the MovieCove catalog yet)(1996)

Un cielo lánguido y oxidado (not in the MovieCove catalog yet)(1991)

El elefante blanco (not in the MovieCove catalog yet)
Career shape
A full career of 68 titles, 67 of them dated from 1991 to 2025.

Biggest box office
The Red Thread (2016)

Highest rated
The Trial (2023)

Most popular right now
The Giant Falls (2026)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Alberto Ponce's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 16; across their 14 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up3
- 50th to 74th5
- 25th to 49th6
- Below 25th2
Shape of the crowd
7 of their 16 titles are Mixed.
- Universally Loved1
- Divisive1
- Cult Classic2
- Crowd Pleaser5
- Mixed7
Reviewers score the pacing 54/100 in their films, across 7 reviewed titles; fans 60, detractors 28. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alberto Ponce work with?
People who share at least 2 of Alberto Ponce's MovieCove titles, grouped by what they did on them; Ignacio Rey shares the most, 3.
Directors
- Marcos CarnevaleShared titles: The Giant Falls (2026), Goyo (2024)See all 2 shared titles with Marcos Carnevale

Actors
- Inés EstévezShared titles: The Giant Falls (2026), Mensaje en una botella (2025)See all 2 shared titles with Inés Estévez

- Benjamín VicuñaShared titles: Mensaje en una botella (2025), The Red Thread (2016)See all 2 shared titles with Benjamín Vicuña

Composers and cinematographers
- Horacio MairaShared titles: The Giant Falls (2026), Goyo (2024)See all 2 shared titles with Horacio Maira

- Iván WyszogrodShared titles: The Giant Falls (2026), Goyo (2024)See all 2 shared titles with Iván Wyszogrod

- Mariano BarrellaShared titles: ¿Nos casamos? Sí, mi amor (2022), My Best Friend (2018)See all 2 shared titles with Mariano Barrella

Producers
- Ignacio ReyShared titles: The Giant Falls (2026), Mensaje en una botella (2025), Goyo (2024)See all 3 shared titles with Ignacio Rey
- Martin KwellerShared titles: The Giant Falls (2026), Mensaje en una botella (2025), Goyo (2024)See all 3 shared titles with Martin Kweller
- Rocío GortShared titles: The Giant Falls (2026), Mensaje en una botella (2025), Goyo (2024)See all 3 shared titles with Rocío Gort
- Alejandro MontielShared titles: Hypersomnia (2016), The Red Thread (2016)See all 2 shared titles with Alejandro Montiel


