Robert Porter

What are Robert Porter's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Porter's films?

As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.

• Pluto TV1 title, browse their movies on this service
  • The Italian Job (1969) · producer · free
• The Roku Channel1 title, browse their movies on this service
  • The Jigsaw Man (1983) · producer · free
• Tubi1 title, browse their movies on this service
  • The Jigsaw Man (1983) · producer · free

Subscription and free streaming for Robert Porter's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  The Jigsaw Man(1983)

  Producer

  Midcredits score: 11th percentile of all films11^th
• 

  Inchon(1981)

  Producer

  Midcredits score: 2nd percentile of all films2^nd
• 

  The Last Valley(1971)

  Producer

  Midcredits score: 82nd percentile of all films82^nd
• 

  The Italian Job(1969)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  The Spy with a Cold Nose(1966)

  Producer

  Midcredits score: 15th percentile of all films15^th
• 

  Sands of the Kalahari(1965)

  Producer

  Midcredits score: 69th percentile of all films69^th

Career shape

Across their 6 MovieCove titles from 1965 to 1983.

Biggest box office

Inchon (1981)

$5.2M worldwide

Highest rated

The Italian Job (1969)

Midcredits 87^th

How do Robert Porter's films land?

Their typical MovieCove film has a Midcredits score in the 42^nd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 43^rd percentile for acclaim.

Shape of the crowd

3 of their 6 titles are Crowd Pleasers.

312

• Crowd Pleaser3
• Broadly Agreed1
• Mixed2

Most divisive · producer

Inchon (1981)

83^rd percentile spread · 74% rated it 4 or lower

Most loved · producer

The Italian Job (1969)

Midcredits 87^th · 78% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robert Porter work with?

People who share at least 2 of Robert Porter's MovieCove titles, grouped by what they did on them; Michael Caine shares the most, 3.