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T. Prakash Rao

Director and writer

Works as
Director and writer
Titles
7 on MovieCove

What are T. Prakash Rao's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 3 · Stylized 2 · Heightened 2

Gentle 1 · Charged 6 · Intense 0

Steady 4 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 3 · Funny 0

A split, not a type: Slow burn 4 · Even-paced 3 · Relentless 0

Casual 5 · Engaged 2 · Full focus 0

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
3
Romantic
2
Warm
2
Hopeful
2
Other
2

How their films end · 2 with a twist

  • Happy5
  • Bittersweet1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch T. Prakash Rao's films?

As of October 24, 2026, 6 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for T. Prakash Rao's titles on MovieCove; rent and buy are not counted.

Filmography

7 credits, 7 with a MovieCove page.

  • Ghar Ghar Ki Kahani(1970)

    Director

    Midcredits score: 87th percentile of all films
  • Nannha Farishta(1969)

    Director

    Midcredits score: 48th percentile of all films (provisional, few ratings)
  • Suraj(1966)

    Director

    Midcredits score: 61st percentile of all films
  • Bahu Beti(1965)

    Director · Writer

    Midcredits score: 50th percentile of all films (provisional, few ratings)
  • Bahurani(1964)

    Director

    Midcredits score: 69th percentile of all films (provisional, few ratings)
  • Amar Deep(1958)

    Director

    Midcredits score: 61st percentile of all films (provisional, few ratings)
  • Jayam Manade(1956)

    Director

Career shape

Across their 7 MovieCove titles from 1956 to 1970.

By role

only this rolewith another role
Directing7 of 7: 6 only directing, 1 with another role · typical Midcredits score61stWriting1 of 7: 0 only writing, 1 with another role

By decade

1950s2 · crew1960s4 · crew1970s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do T. Prakash Rao's films land?

Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of the 6 of 7 with a score; across their 7 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 7

Approval · how many liked their films

63rdpercentile
Typical film, the median of 7

Reach · how many have seen their films

2ndpercentile
Typical film, the median of 7

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th4
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does T. Prakash Rao work with?

People who share at least 2 of T. Prakash Rao's MovieCove titles, grouped by what they did on them; Mukri shares the most, 4.

Writers

Actors

Composers, cinematographers and editors

Producers