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Douglas Preston

Douglas Preston

Writer and producer · Born May 20, 1956 (70) · Cambridge, Massachusetts, USA

Born
May 20, 1956 (70)
From
Cambridge, Massachusetts, USA
Works as
Writer and producer
Titles
3 on MovieCove · 4 credits in all
TMDB popularity, last 37 days to Oct 26Up 19% in 30 days

What are Douglas Preston's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Themes

share of theme weight
Survival
47%
Bonds
23%
Morality
14%
Society
9%
Self
7%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 2

A split, not a type: Grounded 1 · Stylized 2 · Heightened 0

A split, not a type: Gentle 1 · Charged 0 · Intense 2

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 1 · Even-paced 2 · Relentless 0

A split, not a type: Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Dread
2
Warm
1
Thrilling
2
Contemplative
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Douglas Preston's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Douglas Preston's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Superfire(2002)

    Co-Executive Producer · Story

    Midcredits score: 28th percentile of all films
  • The Jennie Project(2001)

    Writer

    Midcredits score: 29th percentile of all films
  • The Relic(1997)

    Novel

    Midcredits score: 36th percentile of all films
  • Pendergast (not in the MovieCove catalog yet)

    Show Creator

Career shape

A full career of 4 titles, 3 of them dated from 1997 to 2002.

By role

only this rolewith another role
Writing3 of 4: 2 only writing, 1 with another roleProducing1 of 4: 0 only producing, 1 with another roleOther crew1 of 4: 1 only other crew, 0 with another role

By decade

1990s1 · crew2000s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Douglas Preston's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 3

Approval · how many liked their films

32ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

47thpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 25th to 49th3

Reviewers score the dialogue 33/100 and the plot and story 32/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.