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Richard H. Prince

Richard H. Prince

Producer

Works as
Producer
Titles
23 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 65 days to Oct 28Up 36% in 30 days

What are Richard H. Prince's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
47%
Self
24%
Morality
19%
Survival
7%
Society
3%
Family bonds4 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this theme

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 5 · Serious 2 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 3 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 4 · Charged 3 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 2 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 1 · Some laughs 2 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 8 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
4
Joyful
4
Hopeful
3
Tense
2
Warm
3
Other
4

How their films linger

Feel-good5 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end

  • Happy5
  • Bittersweet2
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Richard H. Prince's films?

As of October 24, 2026, 13 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Richard H. Prince's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 23 with a MovieCove page.

  • Brooklyn Nine-Nine(2013)

    Show 152 episodes · Co-Producer · Producer · Production Manager

    Midcredits score: 97th percentile of all shows

  • The Invasion(2007)

    Unit Production Manager

    Midcredits score: 35th percentile of all films

  • Jack Smith and the Destruction of Atlantis (not in the MovieCove catalog yet)(2007)

    Executive Producer

  • Checking Out (not in the MovieCove catalog yet)(2006)

    Co-Producer

  • Destricted(2006)

    Writer

    Midcredits score: 10th percentile of all films

  • Come as You Are(2005)

    Line Producer

    Midcredits score: 10th percentile of all films

  • IOWA(2005)

    Producer

    Midcredits score: 19th percentile of all films

  • Saw(2004)

    Co-Producer · Production Manager

    Midcredits score: 92nd percentile of all films

  • The Animal(2001)

    Unit Production Manager

    Midcredits score: 9th percentile of all films

  • The Replacements(2000)

    Production Manager

    Midcredits score: 65th percentile of all films

  • The Extreme Adventures of Super Dave(2000)

    Producer

    Midcredits score: 14th percentile of all films

  • Gone Fishin'(1997)

    Producer

    Midcredits score: 16th percentile of all films

  • RocketMan(1997)

    Producer

    Midcredits score: 42nd percentile of all films

  • Richie Rich(1994)

    Production Manager

    Midcredits score: 27th percentile of all films

  • Angels in the Outfield(1994)

    Associate Producer · Production Manager

    Midcredits score: 48th percentile of all films

  • Father Hood(1993)

    Producer

    Midcredits score: 15th percentile of all films

  • The Distinguished Gentleman(1992)

    Production Manager

    Midcredits score: 36th percentile of all films

  • Out of Time(1988)

    Production Manager

    Midcredits score: 10th percentile of all films

  • A Night in the Life of Jimmy Reardon(1988)

    Producer

    Midcredits score: 23rd percentile of all films

  • The Bedroom Window(1987)

    Unit Production Manager

    Midcredits score: 54th percentile of all films

  • Master Ninja (not in the MovieCove catalog yet)(1984)

    Second Assistant Director

  • Uncommon Valor(1983)

    Second Assistant Director

    Midcredits score: 52nd percentile of all films

  • Risky Business(1983)

    Second Assistant Director

    Midcredits score: 74th percentile of all films

  • The Return of the Man from U.N.C.L.E.: The Fifteen Years Later Affair(1983)

    Second Assistant Director

    Midcredits score: 56th percentile of all films

  • Personal Best(1982)

    Unit Production Manager

    Midcredits score: 55th percentile of all films

  • The Memory of Eva Ryker(1980)

    Second Assistant Director

    Midcredits score: 61st percentile of all films

  • Jimmy B. & Andre (not in the MovieCove catalog yet)(1980)

    Assistant Director

Career shape

A full career of 22 titles from 1980 to 2013.

Biggest box office

Angels in the Outfield (1994)

$50M worldwide

Highest rated

Angels in the Outfield (1994)

Midcredits 48th

Most popular right now

RocketMan (1997)

By role

only this rolewith another role
Writing1 of 22: 1 only writing, 0 with another roleProducing7 of 22: 4 only producing, 3 with another role · typical Midcredits score48thOther crew17 of 22: 14 only other crew, 3 with another role · typical Midcredits score54th

22 titles, 3 with more than one role — other crew and producing overlap on 3 of them.

By decade

1980s9 · crew1990s3 · crew2000s9 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Richard H. Prince's films land?

Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 22; across their 8 films with reception data, the typical film sits in the 21st percentile for acclaim.

Acclaim · how much people like their films

21stpercentile
Typical film, the median of 8

Approval · how many liked their films

23rdpercentile
Typical film, the median of 8

Reach · how many have seen their films

78thpercentile
Typical film, the median of 8

Midcredits score across 23 titles, by percentile

  • 75th and up2
  • 50th to 74th7
  • 25th to 49th5
  • Below 25th9

Shape of the crowd

9 of their 23 titles are Mixed.

  • Universally Loved2
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser7
  • Broadly Agreed3
  • Mixed9

Most divisive · producer

Come as You Are (2005)

96th percentile spread · 61% rated it 4 or lower

Most loved · producer

Brooklyn Nine-Nine (2013)

Midcredits 97th · 93% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Richard H. Prince's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 39 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Richard H. Prince work with?

People who share at least 2 of Richard H. Prince's MovieCove titles, grouped by what they did on them; Roger Birnbaum shares the most, 3.

Actors

Composers

Producers