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Jean Prodromidès

Jean Prodromidès

Composer · Died March 17, 2016, aged 88 · Neuilly-sur-Seine, Hauts-de-Seine, France

Jean Prodromidès (3 July 1927 – 17 March 2016) was a French composer. He was born in Neuilly-sur-Seine in 1927 in a music-loving family. His father, of Greek origin, had a pianola by which he became familiar with works of Beethoven and Wagner. He was a pupil of René Leibowitz, who introduced him to dodecaphonic and serial composition. Together with other Leibowitz pupils, Serge Nigg, Antoine Duhamel and André Casanova, he gave the first performance of Leibowitz's Explications des Metaphors, Op. 15, in Paris in 1948. Prodromidès composed for films such as Maigret et l'Affaire Saint-Fiacre and Danton. Prodromidés was elected to the Académie des Beaux-Arts in 1990 to Henry Sauguet's seat; Prodromidès was also president of the Academy and the Institut de France in 2005. Source: Article "Jean Prodromidès" from Wikipedia in English, licensed under CC-BY-SA 3.0.

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Biography from TMDB.

Born
July 3, 1927
Died
March 17, 2016 (aged 88)
From
Neuilly-sur-Seine, Hauts-de-Seine, France
Works as
Composer
Titles
6 on MovieCove · 18 credits in all
TMDB popularity, last 39 days to Oct 28Up 11% in 30 days

What are Jean Prodromidès' films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 4

Grounded 2 · Stylized 3 · Heightened 1

A split, not a type: Gentle 1 · Charged 2 · Intense 3

Steady 4 · Shifting 2 · Whiplash 0

Straight-faced 6 · Some laughs 0 · Funny 0

Slow burn 5 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 4 · Full focus 0

A split, not a type: Easy watch 1 · Affecting 2 · Heavy 3

A split, not a type: Resolved 3 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
4
Contemplative
2
Romantic
1
Dread
1
Other
1

How their films end · 2 with a twist

  • Bittersweet2
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jean Prodromidès' films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).

Subscription and free streaming for Jean Prodromidès' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 6 with a MovieCove page.

  • Danton(1983)

    Composer

    Midcredits score: 89th percentile of all films
  • Les Musiciens de la pellicule (not in the MovieCove catalog yet)(1974)

    Show 1 episode · as lui-même

  • Salomé (not in the MovieCove catalog yet)(1969)

    Composer

  • Midcredits score: 28th percentile of all films
  • 24 Hours in a Woman's Life (not in the MovieCove catalog yet)(1968)

    Composer

  • Spirits of the Dead(1968)

    Composer

    Midcredits score: 61st percentile of all films
  • Pillaged (not in the MovieCove catalog yet)(1967)

    Composer

  • Midcredits score: 94th percentile of all films
  • The Infernal Machine (not in the MovieCove catalog yet)(1963)

    Composer

  • The Persians (not in the MovieCove catalog yet)(1961)

    Composer

  • The Bear (not in the MovieCove catalog yet)(1960)

    Composer

  • Blood and Roses(1960)

    Composer

    Midcredits score: 58th percentile of all films
  • Stowaway in the Sky (not in the MovieCove catalog yet)(1960)

    Composer

  • The Baron of the Locks (not in the MovieCove catalog yet)(1960)

    Composer

  • Midcredits score: 81st percentile of all films
  • The Magnificent Tramp (not in the MovieCove catalog yet)(1959)

    Composer

  • Slightly Ahead (not in the MovieCove catalog yet)(1956)

    Composer

  • In the Park (not in the MovieCove catalog yet)(1955)

    Composer

Career shape

A full career of 17 titles from 1955 to 1983.

By role

only this rolewith another role
Acting1 of 17: 1 only acting, 0 with another roleMusic16 of 17: 16 only music, 0 with another role · typical Midcredits score81st

By decade

1950s4 · crew1960s11 · crew1970s1 · acting1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jean Prodromidès' films land?

Their typical MovieCove film has a Midcredits score in the 71st percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 6

Approval · how many liked their films

71stpercentile
Typical film, the median of 6

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th2
  • 25th to 49th1

Reviewers score the sound and music 70/100 in their films, across 5 reviewed titles; fans 72, detractors 48. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jean Prodromidès' work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 23 · mildMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Jean Prodromidès work with?

People who share at least 2 of Jean Prodromidès' MovieCove titles, grouped by what they did on them; Roger Vadim shares the most, 2.

Directors

Writers

Actors

Cinematographers

Producers