Giorgio Prosperi
Writer · Died January 21, 1997, aged 86 · Rome, Kingdom of Italy [now Italy]
- January 1, 1911
- January 21, 1997 (aged 86)
- Rome, Kingdom of Italy [now Italy]
- Writer
- 8 on Motif · 49 credits in all
What are Giorgio Prosperi's films like?
Across their 8 Motif titles with a thematic analysis, their films lean Bonds and Power.
Genres
Their Motif films by primary genre. The badge is the typical Motif score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 7
A split, not a type: Light 2 · Serious 2 · Dark 4
Grounded 1 · Stylized 4 · Heightened 3
A split, not a type: Gentle 1 · Charged 3 · Intense 4
Steady 4 · Shifting 4 · Whiplash 0
Straight-faced 6 · Some laughs 2 · Funny 0
Slow burn 8 · Even-paced 0 · Relentless 0
Casual 4 · Engaged 4 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 2 · Heavy 4
Resolved 6 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Giorgio Prosperi's films?
As of October 24, 2026, 3 of their 8 Motif titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Giorgio Prosperi's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
49 credits, 8 with a Motif page.
Caio Gracco (not in the Motif catalog yet)(1968)
Vita di Cavour (not in the Motif catalog yet)(1967)
Te lo leggo negli occhi (not in the Motif catalog yet)(1966)
Vita di Dante (not in the Motif catalog yet)(1965)
Idoli controluce (not in the Motif catalog yet)(1965)
A Maiden for the Prince (not in the Motif catalog yet)(1965)
The Devil Also Cries (not in the Motif catalog yet)(1965)
100 Horsemen (not in the Motif catalog yet)(1964)
Vita di Michelangelo (not in the Motif catalog yet)(1964)
The Old Testament (not in the Motif catalog yet)(1963)
La vita provvisoria (not in the Motif catalog yet)(1963)
Sodom and Gomorrah(1962)
Motif score: 32nd percentile of all films
The Golden Arrow(1962)
Motif score: 9th percentile of all films
The Angel Wore Red(1960)
Motif score: 33rd percentile of all films
Violent Summer(1959)
Motif score: 91st percentile of all films
Hello, Hello Baby! (Rains) (not in the Motif catalog yet)(1959)
Everyone's in Love (not in the Motif catalog yet)(1959)
The Naked Maja(1958)
Motif score: 20th percentile of all films
La muralla (not in the Motif catalog yet)(1958)
Love at First Sight (not in the Motif catalog yet)(1958)
Lazzarella (not in the Motif catalog yet)(1957)
Seven Hills of Rome(1957)
Motif score: 37th percentile of all films
Defend My Love (not in the Motif catalog yet)(1956)
Scampolo 53 (not in the Motif catalog yet)(1955)
Elementary School (not in the Motif catalog yet)(1954)
The Seducer (not in the Motif catalog yet)(1954)
Ho ritrovato mio figlio (not in the Motif catalog yet)(1954)
I cinque dell'Adamello (not in the Motif catalog yet)(1954)
Maddalena (not in the Motif catalog yet)(1954)
Senso(1954)
Motif score: 92nd percentile of all films
100 Years of Love (not in the Motif catalog yet)(1954)
We, the Women (not in the Motif catalog yet)(1953)
Stazione Termini(1953)
Motif score: 45th percentile of all films
Voice of Silence (not in the Motif catalog yet)(1953)
Ho scelto l'amore (not in the Motif catalog yet)(1953)
La carovana del peccato (not in the Motif catalog yet)(1953)
La passeggiata (not in the Motif catalog yet)(1953)
The Devil's Daughter (not in the Motif catalog yet)(1952)
I figli non si vendono (not in the Motif catalog yet)(1952)
Solo per te Lucia (not in the Motif catalog yet)(1952)
The Overcoat (not in the Motif catalog yet)(1952)
Processo contro ignoti (not in the Motif catalog yet)(1952)
L'angelo del peccato (not in the Motif catalog yet)(1952)
Verginità (not in the Motif catalog yet)(1951)
Tomorrow Is Another Day (not in the Motif catalog yet)(1951)
Gli amanti di Ravello (not in the Motif catalog yet)(1951)
Angel in the crowd (not in the Motif catalog yet)(1950)
The Funicular of Mount Faloria (not in the Motif catalog yet)(1950)
The Earth Cries Out (not in the Motif catalog yet)(1949)
Career shape
A full career of 48 titles from 1949 to 1968.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Motif score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do Giorgio Prosperi's films land?
Their typical Motif film has a Motif score in the 35th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up2
- 25th to 49th4
- Below 25th2
Shape of the crowd
None of their 8 titles divides audiences: 5 are Mixed.
- Universally Loved1
- Crowd Pleaser1
- Broadly Agreed1
- Mixed5
Reviewers score the dialogue 40/100 and the plot and story 38/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Giorgio Prosperi work with?
People who share at least 2 of Giorgio Prosperi's Motif titles, grouped by what they did on them; Mario Serandrei shares the most, 5.
Writers
- Suso Cecchi D'AmicoShared titles: Violent Summer (1959), Senso (1954)See all 2 shared titles with Suso Cecchi D'Amico
Actors
- Rossana PodestàShared titles: Sodom and Gomorrah (1962), The Golden Arrow (1962)See all 2 shared titles with Rossana Podestà
- Ava GardnerShared titles: The Angel Wore Red (1960), The Naked Maja (1958)See all 2 shared titles with Ava Gardner
- Carlo RizzoShared titles: The Naked Maja (1958), Seven Hills of Rome (1957)See all 2 shared titles with Carlo Rizzo
- Gino CerviShared titles: The Naked Maja (1958), Stazione Termini (1953)See all 2 shared titles with Gino Cervi
Composers, cinematographers and editors
- Mario SerandreiShared titles: Sodom and Gomorrah (1962), The Golden Arrow (1962), Violent Summer (1959), The Naked Maja (1958), Senso (1954)See all 5 shared titles with Mario Serandrei
- Mario NascimbeneShared titles: The Golden Arrow (1962), Violent Summer (1959)See all 2 shared titles with Mario Nascimbene
- Angelo Francesco LavagninoShared titles: The Angel Wore Red (1960), The Naked Maja (1958)See all 2 shared titles with Angelo Francesco Lavagnino
- Giuseppe RotunnoShared titles: The Angel Wore Red (1960), The Naked Maja (1958)See all 2 shared titles with Giuseppe Rotunno
Producers
- Goffredo LombardoShared titles: Sodom and Gomorrah (1962), The Golden Arrow (1962), The Angel Wore Red (1960), The Naked Maja (1958)See all 4 shared titles with Goffredo Lombardo
- Silvio ClementelliShared titles: The Angel Wore Red (1960), Violent Summer (1959), The Naked Maja (1958), Seven Hills of Rome (1957)See all 4 shared titles with Silvio Clementelli
Mixed roles
- Vittorio De SicaShared titles: The Angel Wore Red (1960), Stazione Termini (1953)See all 2 shared titles with Vittorio De Sica
