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Albert Prévost

Producer and actor

Works as
Producer and actor
Titles
5 on MovieCove · 8 credits in all
TMDB popularity, last 39 days to Oct 28Down 45% in 30 days

What are Albert Prévost's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 2

Grounded 1 · Stylized 1 · Heightened 2

A split, not a type: Gentle 1 · Charged 1 · Intense 2

A split, not a type: Steady 1 · Shifting 1 · Whiplash 2

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 0 · Relentless 0

A split, not a type: Casual 1 · Engaged 1 · Full focus 2

Easy watch 0 · Affecting 2 · Heavy 2

Resolved 1 · Open-ended 1 · Ambiguous 2

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
4
Tense
2
Absurd
1
Warm
1
Contemplative
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Albert Prévost's films?

As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Albert Prévost's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 5 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Holy Motors(2012)

    Producer · Production Manager

    Midcredits score: 85th percentile of all films
  • Pierre or, The Ambiguities (not in the MovieCove catalog yet)(2001)

    Show 3 episodes · Executive Producer

  • Pola X(1999)

    Executive Producer

    Midcredits score: 40th percentile of all films
  • Sans Titre (not in the MovieCove catalog yet)(1997)

    Producer

  • The Lovers on the Bridge(1991)

    Executive Producer · as Commissioner

    Midcredits score: 95th percentile of all films
  • Un tour de manège(1989)

    Producer · as Montaigne

    Midcredits score: 23rd percentile of all films
  • Waiting for the Moon (not in the MovieCove catalog yet)(1987)

    Line Producer

  • 'Round Midnight(1986)

    Unit Manager

    Midcredits score: 91st percentile of all films

Career shape

A full career of 8 titles from 1986 to 2012.

Film career

  • 1991Screen debut· The Lovers on the Bridge

By role

only this rolewith another role
Acting2 of 8: 0 only acting, 2 with another roleProducing7 of 8: 4 only producing, 3 with another roleOther crew2 of 8: 1 only other crew, 1 with another role

8 titles, 3 with more than one role — producing and acting overlap on 2 of them.

By decade

1980s3 · 1 acting · 3 crew1990s3 · 1 acting · 3 crew2000s1 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Albert Prévost's films land?

Their typical MovieCove film has a Midcredits score in the 85th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 66th percentile for acclaim.

Acclaim · how much people like their films

66thpercentile
Typical film, the median of 4

Approval · how many liked their films

59thpercentile
Typical film, the median of 4

Reach · how many have seen their films

88thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up3
  • 25th to 49th1
  • Below 25th1

Reviewers score the acting 79/100 in their films, across 3 reviewed titles; fans 87, detractors 60. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Albert Prévost's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 69 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Albert Prévost work with?

People who share at least 2 of Albert Prévost's MovieCove titles, grouped by what they did on them; Leos Carax shares the most, 3.

Directors

Actors

Editors