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Aleksandr Ptushko

Aleksandr Ptushko

Director and writer · Died March 6, 1973, aged 72 · Lugansk, Lugansk uyezd, Yekaterinoslav Governorate, Russian Empire [now Luhansk, Luhansk Oblast, Ukraine]

Aleksandr Lukich Ptushko (Russian: Александр Лукич Птушко, 19 April [O.S. 6 April] 1900 – 6 March 1973) was a Soviet animation and fantasy film director, and a People's Artist of the USSR (1969). Ptushko is frequently (and somewhat misleadingly) referred to as "the Soviet Walt Disney," because of his prominent early role in animation in the Soviet Union, though a more accurate comparison would be to Willis H. O'Brien or Ray Harryhausen. Some critics, such as Tim Lucas and Alan Upchurch, have also compared Ptushko to Italian filmmaker Mario Bava, who made fantasy and horror films with similarities to Ptushko's work and made similarly innovative use of color cinematography and special effects. He began his film career as a director and animator of stop motion short films, and became a director of feature-length films combining live action, stop motion, creative special effects, and Russian mythology. Along the way he would be responsible for a number of firsts in Russian film history (including the first feature-length animated film, and the first film in color), and would make several extremely popular and internationally praised films full of visual flair and spectacle.

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Biography from TMDB.

Born
April 19, 1900
Died
March 6, 1973 (aged 72)
From
Lugansk, Lugansk uyezd, Yekaterinoslav Governorate, Russian Empire [now Luhansk, Luhansk Oblast, Ukraine]
Works as
Director and writer
Titles
6 on MovieCove · 39 credits in all
TMDB popularity, last 39 days to Oct 28Down 11% in 30 days

What are Aleksandr Ptushko's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 2 · Dark 0

Grounded 0 · Stylized 0 · Heightened 6

Gentle 1 · Charged 4 · Intense 1

Steady 5 · Shifting 1 · Whiplash 0

Straight-faced 4 · Some laughs 2 · Funny 0

Slow burn 4 · Even-paced 2 · Relentless 0

Casual 4 · Engaged 2 · Full focus 0

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
3
Romantic
2
Tense
2
Warm
2
Hopeful
1
Other
4

How their films end

  • Happy5
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Aleksandr Ptushko's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Aleksandr Ptushko's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 6 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Ruslan and Ludmila(1972)

    Director · Writer

    Midcredits score: 82nd percentile of all films
  • Viy(1967)

    Director · Art Direction · Screenplay · Stunt Coordinator

    Midcredits score: 84th percentile of all films
  • The Tale of Tsar Saltan(1967)

    Director · Writer

    Midcredits score: 80th percentile of all films
  • The Day the Earth Froze (not in the MovieCove catalog yet)(1964)

    Director

  • A Tale of Lost Times (not in the MovieCove catalog yet)(1964)

    Director

  • The Sword and the Dragon (not in the MovieCove catalog yet)(1963)

    Director

  • The Magic Voyage of Sinbad (not in the MovieCove catalog yet)(1962)

    Director

  • Fuse (not in the MovieCove catalog yet)(1962)

    Show 1 episode · Writer

  • Alye parusa(1961)

    Director

    Midcredits score: 72nd percentile of all films
  • My Friend, Kolka! (not in the MovieCove catalog yet)(1961)

    Producer

  • Midcredits score: 13th percentile of all films
  • Ilya Muromets (not in the MovieCove catalog yet)(1956)

    Director

  • Sadko(1953)

    Director

    Midcredits score: 30th percentile of all films
  • Three Encounters (not in the MovieCove catalog yet)(1950)

    Director

  • The Stone Flower (not in the MovieCove catalog yet)(1946)

    Director

  • The Lost Letter (not in the MovieCove catalog yet)(1945)

    Creative Director

  • A Winter Tale (not in the MovieCove catalog yet)(1945)

    Creative Director

  • Zoya (not in the MovieCove catalog yet)(1944)

    Visual Effects Director

  • Moscow Skies (not in the MovieCove catalog yet)(1944)

    Visual Effects Director

  • Sinbad the Sailor (not in the MovieCove catalog yet)(1944)

    Creative Director

  • Telephone (not in the MovieCove catalog yet)(1944)

    Creative Director

  • In the Name of the Motherland (not in the MovieCove catalog yet)(1943)

    Visual Effects Director

  • The District Secretary (not in the MovieCove catalog yet)(1942)

    Visual Effects Director

  • Lad from Our Town (not in the MovieCove catalog yet)(1942)

    Visual Effects Director

  • A Good Lad (not in the MovieCove catalog yet)(1942)

    Visual Effects Director

  • Batyr of the Steppes (not in the MovieCove catalog yet)(1942)

    Cinematographer

  • The Golden Key (not in the MovieCove catalog yet)(1939)

    Director · Visual Effects Director

  • The Merry Musicians (not in the MovieCove catalog yet)(1938)

    Director · Writer

  • The Dog and the Cat (not in the MovieCove catalog yet)(1938)

    Writer

  • Small But Fierce (not in the MovieCove catalog yet)(1938)

    Writer

  • The Fox and the Grapes (not in the MovieCove catalog yet)(1937)

    Creative Director

  • The Tale of the Fisherman and the Goldfish (not in the MovieCove catalog yet)(1937)

    Director · Screenplay

  • The Wolf and the Crane (not in the MovieCove catalog yet)(1936)

    Art Direction

  • The Giant Turnip (not in the MovieCove catalog yet)(1936)

    Creative Director · Writer

  • Capt. Grant's Family (not in the MovieCove catalog yet)(1936)

    Visual Effects Director

  • The Fox and the Wolf (not in the MovieCove catalog yet)(1936)

    Writer

  • The New Gulliver (not in the MovieCove catalog yet)(1935)

    Director · Writer

  • Lord of Life (not in the MovieCove catalog yet)(1932)

    Director · Art Direction · Writer

  • The Incident At The Stadium (not in the MovieCove catalog yet)(1928)

    Director · Art Direction · Writer · Actor

Career shape

A full career of 39 titles from 1928 to 1972.

By role

only this rolewith another role
Acting1 of 39: 0 only acting, 1 with another roleDirecting18 of 39: 10 only directing, 8 with another role · typical Midcredits score72ndWriting13 of 39: 4 only writing, 9 with another roleProducing1 of 39: 1 only producing, 0 with another roleCinematography1 of 39: 1 only cinematography, 0 with another roleOther crew18 of 39: 13 only other crew, 5 with another role

39 titles, 10 with more than one role — directing and other crew overlap on 3 of them.

By decade

1920s1 · 1 acting · 1 crew1930s12 · crew1940s12 · crew1950s4 · crew1960s9 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Aleksandr Ptushko's films land?

Their typical MovieCove film has a Midcredits score in the 76th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 73rd percentile for acclaim.

Acclaim · how much people like their films

73rdpercentile
Typical film, the median of 6

Approval · how many liked their films

77thpercentile
Typical film, the median of 6

Reach · how many have seen their films

57thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Reviewers score the atmosphere 77/100 and the pacing 42/100 in their films, across 6 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Aleksandr Ptushko work with?

People who share at least 2 of Aleksandr Ptushko's MovieCove titles, grouped by what they did on them; Sergey Martinson shares the most, 3.

Writers

Actors

Cinematographers and editors