
Cynthia Pusheck
Cynthia Pusheck is a cinematographer, known for Our Flag Means Death (2022), Strange Angel (2018) and Good Girls Revolt (2015). She is married to Barry Baz Idoine.
Biography from IMDb.
- Cinematographer
- 13 on MovieCove · 19 credits in all
What are Cynthia Pusheck's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Society and Self.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 0 · Dark 2
Grounded 2 · Stylized 2 · Heightened 0
Gentle 1 · Charged 2 · Intense 1
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 1
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet2
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Cynthia Pusheck's films?
As of October 24, 2026, 10 of their 13 MovieCove titles stream on a subscription or free service, most on Prime Video (4).
Subscription and free streaming for Cynthia Pusheck's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
19 credits, 13 with a MovieCove page.

Ballard(2025)
Midcredits score: 72nd percentile of all shows
Beacon 23(2023)
Midcredits score: 9th percentile of all shows
The Bold Type(2017)
Midcredits score: 85th percentile of all shows
Good Girls Revolt(2015)
Midcredits score: 89th percentile of all shows
Midcredits score: 16th percentile of all films
Loving Annabelle(2006)
Midcredits score: 55th percentile of all films
Coachella(2006)
Midcredits score: 81st percentile of all films
Midcredits score: 19th percentile of all films
Finding Kate (not in the MovieCove catalog yet)(2004)

Devil's Pond(2003)
Midcredits score: 24th percentile of all films
Three Days of Rain(2002)
Midcredits score: 30th percentile of all films
Up Against Amanda (not in the MovieCove catalog yet)(2000)

The Rowdy Girls(2000)
Midcredits score: 8th percentile of all films
Magnolia(1999)
Midcredits score: 97th percentile of all filmsOne Hand, Left (not in the MovieCove catalog yet)(1998)

The Housekeeper (not in the MovieCove catalog yet)(1998)

The Killing Jar (not in the MovieCove catalog yet)(1997)
Midcredits score: 95th percentile of all films
12:01 PM (not in the MovieCove catalog yet)(1990)
Career shape
A full career of 15 titles from 1990 to 2017.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Cynthia Pusheck's films land?
Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 9; across a limited sample of 4 films with reception data, the typical film sits in the 33rd percentile for acclaim.
- 75th and up5
- 50th to 74th2
- 25th to 49th1
- Below 25th5
Shape of the crowd
7 of their 13 titles are Mixed.
- Universally Loved3
- Crowd Pleaser3
- Mixed7
Reviewers score the cinematography 63/100 in their films, across 3 reviewed titles; fans 68, detractors 55. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Cynthia Pusheck's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Cynthia Pusheck work with?
People who share at least 2 of Cynthia Pusheck's MovieCove titles; Tiffany Reis shares the most, 2.
- Tiffany ReisShared titles: Coachella (2006), Loving Annabelle (2006)See all 2 shared titles with Tiffany Reis




