
Terele Pávez
Actor · Died August 11, 2017, aged 78 · Bilbao, Biskaia, Euskadi, Spain
Terele Pávez was born on 29 July 1939 in Bilbao, Vizcaya, País Vasco, Spain. She was an actress, known for Witching and Bitching (2013), La Celestina (1996) and The Bar (2017). She died on 11 August 2017 in Madrid, Spain.
Biography from IMDb.
- July 29, 1939
- August 11, 2017 (aged 78)
- Bilbao, Biskaia, Euskadi, Spain
- Actor
- 16 on MovieCove · 71 credits in all
What are Terele Pávez's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 1 · Earnest 10
A split, not a type: Light 5 · Serious 4 · Dark 4
A split, not a type: Grounded 8 · Stylized 5 · Heightened 0
A split, not a type: Gentle 2 · Charged 5 · Intense 6
A split, not a type: Steady 7 · Shifting 4 · Whiplash 2
A split, not a type: Straight-faced 6 · Some laughs 2 · Funny 5
Slow burn 6 · Even-paced 6 · Relentless 1
Casual 5 · Engaged 6 · Full focus 2
A split, not a type: Easy watch 4 · Affecting 4 · Heavy 5
Resolved 8 · Open-ended 4 · Ambiguous 1
Roles they play
- Threshold guardianas Antonia in The Open Door (2016)
- Shadowas Amparo in The Bar (2017)
- Shapeshifteras Petra in ¡Ay, mi madre! (2019)
- Allyas Reme in Caribe 'Todo incluído' (2020)
Moods and endings
- Happy4
- Bittersweet3
- Tragic1
- Ambiguous5
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Terele Pávez's films?
As of October 24, 2026, 12 of their 16 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Terele Pávez's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
71 credits, 16 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Caribe 'Todo incluído'(2020)
Midcredits score: 6th percentile of all films (provisional, few ratings)
¡Ay, mi madre!(2019)
Midcredits score: 5th percentile of all films
La noche después de que mi novia me dejara (not in the MovieCove catalog yet)(2017)

Uncertain Glory(2017)
Midcredits score: 51st percentile of all films
The Bar(2017)
Midcredits score: 54th percentile of all films
Heirs of the Beast (not in the MovieCove catalog yet)(2016)

Buscando el Norte (not in the MovieCove catalog yet)(2016)

The Open Door(2016)
Midcredits score: 73rd percentile of all films
Teresa (not in the MovieCove catalog yet)(2015)

Las aventuras de Moriana (not in the MovieCove catalog yet)(2015)

My Big Night(2015)
Midcredits score: 45th percentile of all filmsDomonic (not in the MovieCove catalog yet)(2014)

Witching and Bitching(2013)
Midcredits score: 58th percentile of all films
La apuesta de Pascal (not in the MovieCove catalog yet)(2012)

The Last Circus(2010)
Midcredits score: 65th percentile of all films
White Bed (not in the MovieCove catalog yet)(2010)

The Totenwackers (not in the MovieCove catalog yet)(2007)

Café solo... o con ellas (not in the MovieCove catalog yet)(2007)

¿Y a mí quién me cuida? (not in the MovieCove catalog yet)(2007)

Manolo y Benito Corporeision (not in the MovieCove catalog yet)(2006)

The Baby's Room(2006)
Midcredits score: 72nd percentile of all films
Mala uva (not in the MovieCove catalog yet)(2004)

Historia De Estrella (not in the MovieCove catalog yet)(2003)

Nudos (not in the MovieCove catalog yet)(2003)

Eight Hundred Bullets(2002)
Midcredits score: 52nd percentile of all films
Cuéntame cómo pasó (not in the MovieCove catalog yet)(2001)

Common Wealth(2000)
Midcredits score: 88th percentile of all films
99.9(1997)
Midcredits score: 31st percentile of all films
La Celestina (not in the MovieCove catalog yet)(1996)

The Day of the Beast(1995)
Midcredits score: 90th percentile of all films
La otra historia de Rosendo Juárez (not in the MovieCove catalog yet)(1993)

Cuentos de Borges (not in the MovieCove catalog yet)(1993)

The Greek Labyrinth (not in the MovieCove catalog yet)(1993)

El Quijote de Miguel de Cervantes (not in the MovieCove catalog yet)(1992)

Los días del cometa (not in the MovieCove catalog yet)(1989)

Scent of a Crime (not in the MovieCove catalog yet)(1988)

Winter Diary (not in the MovieCove catalog yet)(1988)
Midcredits score: 45th percentile of all films
Laura, del cielo llega la noche (not in the MovieCove catalog yet)(1987)

Love Ravings (not in the MovieCove catalog yet)(1986)

El hermano bastardo de Dios (not in the MovieCove catalog yet)(1986)

Blood Hunt (not in the MovieCove catalog yet)(1986)
Midcredits score: 50th percentile of all films
El caso de las envenenadas de Valencia (not in the MovieCove catalog yet)(1985)

La Huella del Crimen (not in the MovieCove catalog yet)(1985)

The Holy Innocents (not in the MovieCove catalog yet)(1984)

The Seven Magnificent and Bold Women (not in the MovieCove catalog yet)(1979)

The Shack (not in the MovieCove catalog yet)(1979)

Red Gold (not in the MovieCove catalog yet)(1978)

Tattoo, The First Adventure Of Pepe Carvalho (not in the MovieCove catalog yet)(1978)

Cañas y barro (not in the MovieCove catalog yet)(1978)

Battered Flesh (not in the MovieCove catalog yet)(1978)

Mala Racha (not in the MovieCove catalog yet)(1977)

Curro Jiménez (not in the MovieCove catalog yet)(1976)

La espada negra (not in the MovieCove catalog yet)(1976)

Evil Eye (not in the MovieCove catalog yet)(1975)

Como matar a papá... sin hacerle daño (not in the MovieCove catalog yet)(1975)

Matrimonio al desnudo (not in the MovieCove catalog yet)(1974)

La revolución matrimonial (not in the MovieCove catalog yet)(1974)

Fortunata y Jacinta (not in the MovieCove catalog yet)(1970)

The Hiding Places (not in the MovieCove catalog yet)(1969)

No somos de piedra (not in the MovieCove catalog yet)(1968)
La bella Dorotea (not in the MovieCove catalog yet)(1967)

La boda era a las doce (not in the MovieCove catalog yet)(1964)

El espontáneo(1964)
Midcredits score: 58th percentile of all films (provisional, few ratings)
La cuarta ventana (not in the MovieCove catalog yet)(1963)

Salto mortal (not in the MovieCove catalog yet)(1962)

Poison at 2:30 (not in the MovieCove catalog yet)(1959)

We Are 18 Years Old (not in the MovieCove catalog yet)(1959)

15 under the canvas (not in the MovieCove catalog yet)(1959)

Boyfriend in Sight (not in the MovieCove catalog yet)(1954)
Career shape
Star power in the 95th percentile of 239,109 people with a billed film role, over a full career of 71 titles from 1954 to 2020; peak year 2016.
Film career
Peak 2016 · at the high point of their film career. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1984Screen debut· The Holy Innocents
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Terele Pávez's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 16; across their 13 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 75th and up2
- 50th to 74th9
- 25th to 49th3
- Below 25th2
Shape of the crowd
9 of their 16 titles are Crowd Pleasers.
- Universally Panned1
- Crowd Pleaser9
- Broadly Agreed3
- Mixed3
Reviewers score the acting 72/100 in their films, across 8 reviewed titles; fans 78, detractors 57. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Terele Pávez's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Terele Pávez work with?
People who share at least 2 of Terele Pávez's MovieCove titles, grouped by what they did on them; Álex de la Iglesia shares the most, 5.
Directors
- Álex de la IglesiaShared titles: The Bar (2017), My Big Night (2015), The Baby's Room (2006), Eight Hundred Bullets (2002), The Day of the Beast (1995)See all 5 shared titles with Álex de la Iglesia

- Agustí VillarongaShared titles: Uncertain Glory (2017), 99.9 (1997)See all 2 shared titles with Agustí Villaronga

Writers
- Jorge GuerricaechevarríaShared titles: The Bar (2017), My Big Night (2015), The Baby's Room (2006), Eight Hundred Bullets (2002), The Day of the Beast (1995)See all 5 shared titles with Jorge Guerricaechevarría

Actors
- Carmen MachiShared titles: The Bar (2017), The Open Door (2016), My Big Night (2015)See all 3 shared titles with Carmen Machi

- Secun de la RosaShared titles: ¡Ay, mi madre! (2019), The Bar (2017)See all 2 shared titles with Secun de la Rosa

- Blanca SuárezShared titles: The Bar (2017), My Big Night (2015)See all 2 shared titles with Blanca Suárez

- Jaime OrdóñezShared titles: The Bar (2017), My Big Night (2015)See all 2 shared titles with Jaime Ordóñez

Composers, cinematographers and editors
- Alejandro LázaroShared titles: Caribe 'Todo incluído' (2020), The Baby's Room (2006), Eight Hundred Bullets (2002)See all 3 shared titles with Alejandro Lázaro

- Ángel AmorósShared titles: The Bar (2017), My Big Night (2015)See all 2 shared titles with Ángel Amorós

- Domingo GonzálezShared titles: The Bar (2017), My Big Night (2015)See all 2 shared titles with Domingo González

- Joan ValentShared titles: The Bar (2017), My Big Night (2015)See all 2 shared titles with Joan Valent
Mixed roles
- Carolina BangShared titles: The Bar (2017), My Big Night (2015)See all 2 shared titles with Carolina Bang




