- Producer, director and writer
- 5 on MovieCove
What are Max Pécas' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 3 · Earnest 2
Light 2 · Serious 2 · Dark 1
Grounded 2 · Stylized 3 · Heightened 0
A split, not a type: Gentle 2 · Charged 1 · Intense 2
A split, not a type: Steady 2 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2
Slow burn 2 · Even-paced 3 · Relentless 0
Casual 5 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 2 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Max Pécas' films?
As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Max Pécas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Devil Fish(1984)
Midcredits score: 1st percentile of all films
Midcredits score: 29th percentile of all films
Midcredits score: 1st percentile of all films
House of 1000 Pleasures(1974)
Midcredits score: 5th percentile of all films
Two Faces of the Dollar(1967)
Midcredits score: 40th percentile of all films
Career shape
Across their 5 MovieCove titles from 1967 to 1984.
How do Max Pécas' films land?
Their typical MovieCove film has a Midcredits score in the 5th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 10th percentile for acclaim.
- 25th to 49th2
- Below 25th3
Shape of the crowd
4 of their 5 titles are Mixed.
- Universally Panned1
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Max Pécas work with?
People who share at least 2 of Max Pécas' MovieCove titles, grouped by what they did on them; Sergio Martino shares the most, 2.
Writers
- Sergio MartinoShared titles: Devil Fish (1984), 2019: After the Fall of New York (1983)See all 2 shared titles with Sergio Martino
Actors
- Michael SopkiwShared titles: Devil Fish (1984), 2019: After the Fall of New York (1983)See all 2 shared titles with Michael Sopkiw
- Paul BiscigliaShared titles: Beautiful, Blondes and Tanned (1981), House of 1000 Pleasures (1974)See all 2 shared titles with Paul Bisciglia
Cinematographers
- Giancarlo FerrandoShared titles: Devil Fish (1984), 2019: After the Fall of New York (1983)See all 2 shared titles with Giancarlo Ferrando
Mixed roles
- Luciano MartinoShared titles: Devil Fish (1984), 2019: After the Fall of New York (1983)See all 2 shared titles with Luciano Martino
