Skip to content
MovieCove

Antonio Pérez Olea

Composer and cinematographer

Works as
Composer and cinematographer
Titles
9 on MovieCove · 51 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 1% in 30 days

What are Antonio Pérez Olea's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Genres

Drama2 titlesTypical Midcredits score: 46th percentile, at or above their average across these genres
: browse their Drama movies
Horror2 titlesTypical Midcredits score: 43rd percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Survival
28%
Morality
28%
Self
17%
Bonds
10%
Society
10%
Ideas
7%
Survival4 titles, browse their movies with this themeRevenge2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeViolence2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 2 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 6 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 8 · Some laughs 1 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 2 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 5 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 2 · Heavy 4

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 5 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Melancholic
5
Dread
3
Thrilling
2
Hopeful
1
Other
4

How their films linger

Unsettling6 titles, browse their movies with this aftertasteHaunting4 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Bittersweet4
  • Tragic2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Antonio Pérez Olea's films?

As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Antonio Pérez Olea's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

51 credits, 9 with a MovieCove page.

  • Casas Viejas (not in the MovieCove catalog yet)(1983)

    Cinematographer

  • Love Letters of a Nun (not in the MovieCove catalog yet)(1978)

    Composer

  • El hombre que supo amar (not in the MovieCove catalog yet)(1976)

    Composer

  • El otro Luis (not in the MovieCove catalog yet)(1975)

    Composer

  • Violent Blood Bath (not in the MovieCove catalog yet)(1974)

    Composer

  • A Candle for the Devil(1973)

    Composer

    Midcredits score: 36th percentile of all films

  • El niño es nuestro (not in the MovieCove catalog yet)(1973)

    Composer

  • The Dead, The Flesh, and The Devil (not in the MovieCove catalog yet)(1973)

    Composer

  • The Blood Spattered Bride(1972)

    Composer

    Midcredits score: 50th percentile of all films

  • Canticle (not in the MovieCove catalog yet)(1972)

    Composer

  • The Flowers of Fear (not in the MovieCove catalog yet)(1972)

    Composer

  • Adiós, cigüeña, adiós (not in the MovieCove catalog yet)(1971)

    Composer

  • Guerra en el naranjal (not in the MovieCove catalog yet)(1971)

    Cinematographer · Composer

  • La mosca de las frutas (not in the MovieCove catalog yet)(1971)

    Composer

  • Girls for Mercenaries(1970)

    Cinematographer

    Midcredits score: 1st percentile of all films (provisional, few ratings)

  • Long Live the Bride and Groom (not in the MovieCove catalog yet)(1970)

    Composer

  • The Ancines Woods (not in the MovieCove catalog yet)(1970)

    Composer

  • El alma se serena (not in the MovieCove catalog yet)(1970)

    Composer

  • Unmarried and Mother in Life (not in the MovieCove catalog yet)(1969)

    Composer

  • Un, dos, tres, al escondite inglés (not in the MovieCove catalog yet)(1969)

    Composer

  • Antoñito vuelve a casa (not in the MovieCove catalog yet)(1969)

    Composer

  • No somos de piedra (not in the MovieCove catalog yet)(1968)

    Composer

  • A Love Story (not in the MovieCove catalog yet)(1967)

    Composer

  • With the East Wind (not in the MovieCove catalog yet)(1967)

    Composer

  • Codo con codo (not in the MovieCove catalog yet)(1967)

    Composer

  • Oscuros sueños de agosto(1968)

    Composer

    Midcredits score: 11th percentile of all films (provisional, few ratings)

  • Acteón (not in the MovieCove catalog yet)(1967)

    Composer

  • Cita en Navarra (not in the MovieCove catalog yet)(1967)

    Composer

  • La caza de brujas (not in the MovieCove catalog yet)(1967)

    Composer

  • Requiem for a Secret Agent (not in the MovieCove catalog yet)(1966)

    Composer

  • Left-Handed Fate(1966)

    Composer

    Midcredits score: 33rd percentile of all films

  • La visita que no tocó el timbre (not in the MovieCove catalog yet)(1966)

    Composer

  • Django Does Not Forgive (not in the MovieCove catalog yet)(1966)

    Composer · Conductor

  • Ninette and a Gentleman from Murcia (not in the MovieCove catalog yet)(1966)

    Cinematographer · Composer

  • Doña Rosita la Soltera (not in the MovieCove catalog yet)(1965)

    Composer

  • Luciano (not in the MovieCove catalog yet)(1965)

    Composer

  • Snakes and Ladders (not in the MovieCove catalog yet)(1965)

    Composer

  • Murieta!(1965)

    Composer

    Midcredits score: 26th percentile of all films

  • Florinda y el viento (not in the MovieCove catalog yet)(1965)

    Composer

  • Planet of the Vampires(1965)

    Cinematographer

    Midcredits score: 52nd percentile of all films

  • 100 Horsemen (not in the MovieCove catalog yet)(1964)

    Composer

  • The Girl in Mourning (not in the MovieCove catalog yet)(1964)

    Composer

  • El espontáneo(1964)

    Composer

    Midcredits score: 58th percentile of all films (provisional, few ratings)

  • Muere una mujer (not in the MovieCove catalog yet)(1964)

    Composer

  • Anabel (not in the MovieCove catalog yet)(1964)

    Sound

  • La aventura de Api (not in the MovieCove catalog yet)(1964)

    Composer

  • The Secret of the Black Widow(1963)

    Composer

    Midcredits score: 21st percentile of all films

  • Boy Wanted (not in the MovieCove catalog yet)(1963)

    Composer

  • Summer Night (not in the MovieCove catalog yet)(1963)

    Composer

  • From Pink to Yellow (not in the MovieCove catalog yet)(1963)

    Composer

  • Ocharcoaga (not in the MovieCove catalog yet)(1961)

    Cinematographer · Composer

Career shape

A full career of 50 titles from 1961 to 1983.

Highest rated

Planet of the Vampires (1965)

Midcredits 52nd

By role

only this rolewith another role
Music47 of 50: 43 only music, 4 with another role · typical Midcredits score33rdCinematography5 of 50: 2 only cinematography, 3 with another roleOther crew2 of 50: 1 only other crew, 1 with another role

50 titles, 4 with more than one role — music and cinematography overlap on 3 of them.

By decade

1960s32 · crew1970s17 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Antonio Pérez Olea's films land?

Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 9

Approval · how many liked their films

29thpercentile
Typical film, the median of 9

Reach · how many have seen their films

28thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 50th to 74th3
  • 25th to 49th3
  • Below 25th3

Shape of the crowd

None of their 9 titles divides audiences: 4 are Mixed.

  • Universally Panned1
  • Crowd Pleaser1
  • Broadly Agreed3
  • Mixed4

Most loved · cinematographer

Planet of the Vampires (1965)

Midcredits 52nd · 47% liked

Reviewers score the sound and music 61/100 in their films, across 6 reviewed titles; fans 69, detractors 43. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Antonio Pérez Olea work with?

People who share at least 2 of Antonio Pérez Olea's MovieCove titles, grouped by what they did on them; Fernando Villena shares the most, 3.

Directors

Actors

Editors

Producers