- Director and producer
- 3 on MovieCove
Known for
What are George P. Quigley's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 3 · Charged 0 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
A split, not a type: Resolved 2 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch George P. Quigley's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, on MGM+ (3).
Subscription and free streaming for George P. Quigley's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Sarumba(1950)
Midcredits score: 1st percentile of all films (provisional, few ratings)
Junction 88(1947)
Midcredits score: 23rd percentile of all films (provisional, few ratings)
Murder with Music(1941)
Midcredits score: 6th percentile of all films
Career shape
A full career of 3 titles from 1941 to 1950.
How do George P. Quigley's films land?
Their typical MovieCove film has a Midcredits score in the 6th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 14th percentile for acclaim.
- Below 25th3
Shape of the crowd
2 of their 3 titles are Universally Panned.
- Universally Panned2
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does George P. Quigley work with?
People who share at least 2 of George P. Quigley's MovieCove titles, grouped by what they did on them; Augustus Smith shares the most, 2.
Writers
- Augustus SmithShared titles: Junction 88 (1947), Murder with Music (1941)See all 2 shared titles with Augustus Smith
Actors
- Bob HowardShared titles: Junction 88 (1947), Murder with Music (1941)See all 2 shared titles with Bob Howard
Cinematographers
- Don MalkamesShared titles: Sarumba (1950), Junction 88 (1947)See all 2 shared titles with Don Malkames
- John ViscontiShared titles: Junction 88 (1947), Murder with Music (1941)See all 2 shared titles with John Visconti