Gregor Rabinovitch
Producer · Died November 12, 1953, aged 64 · Kiev, Russian Empire
Gregor Rabinovitch was born on 2 April 1889 in Kyiv, Kyiv Governorate, Russian Empire [now Kyiv, Ukraine]. He was a producer, known for Looping the Loop (1928), Mein Herz ruft nach dir (1934) and Tout pour l'amour (1933). He died on 12 November 1953 in Munich, Bavaria, Germany.
Biography from TMDB.
- April 2, 1889
- November 12, 1953 (aged 64)
- Kiev, Russian Empire
- Producer
- 6 on MovieCove · 35 credits in all
What are Gregor Rabinovitch's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 6
A split, not a type: Light 2 · Serious 0 · Dark 4
Grounded 0 · Stylized 4 · Heightened 2
Gentle 0 · Charged 5 · Intense 1
Steady 3 · Shifting 3 · Whiplash 0
Straight-faced 4 · Some laughs 2 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 1
Casual 1 · Engaged 5 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 0 · Heavy 4
Resolved 4 · Open-ended 2 · Ambiguous 0
Moods and endings
- Bittersweet3
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gregor Rabinovitch's films?
As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Gregor Rabinovitch's titles on MovieCove; rent and buy are not counted.
Filmography
35 credits, 6 with a MovieCove page.
Aida (not in the MovieCove catalog yet)(1953)
The Divorcée (not in the MovieCove catalog yet)(1953)
Addio Mimí!(1949)
The Lost One (not in the MovieCove catalog yet)(1947)
There's No Tomorrow(1939)
Midcredits score: 88th percentile of all films
Beating Heart (not in the MovieCove catalog yet)(1940)
J'étais une aventurière(1938)
Midcredits score: 53rd percentile of all films (provisional, few ratings)
Port of Shadows(1938)
Midcredits score: 94th percentile of all films
Gibraltar (not in the MovieCove catalog yet)(1938)
Maytime(1937)
Midcredits score: 83rd percentile of all films
Mazurka (not in the MovieCove catalog yet)(1935)
Episode (not in the MovieCove catalog yet)(1935)
Rêve éternel (not in the MovieCove catalog yet)(1935)
The Eternal Dream (not in the MovieCove catalog yet)(1934)
The English Marriage (not in the MovieCove catalog yet)(1934)
Unfinished Symphony (not in the MovieCove catalog yet)(1934)
Her Highness the Saleswoman (not in the MovieCove catalog yet)(1933)
Lover Divine (not in the MovieCove catalog yet)(1933)
One Night's Song (not in the MovieCove catalog yet)(1933)
Caprice de princesse (not in the MovieCove catalog yet)(1933)
Tell Me Tonight (not in the MovieCove catalog yet)(1932)
The Song of Night (not in the MovieCove catalog yet)(1932)
In the Employ of the Secret Service (not in the MovieCove catalog yet)(1931)
No More Love (not in the MovieCove catalog yet)(1931)
Dolly is making a career (not in the MovieCove catalog yet)(1930)
The White Devil (not in the MovieCove catalog yet)(1930)
Manolescu, the Prince of Swindlers (not in the MovieCove catalog yet)(1929)
Hurrah! I'm Alive! (not in the MovieCove catalog yet)(1928)
Secrets of the Orient (not in the MovieCove catalog yet)(1928)
Looping the Loop (not in the MovieCove catalog yet)(1928)
Casanova(1927)
Midcredits score: 75th percentile of all films
Mister Mustard's Millions (not in the MovieCove catalog yet)(1926)
Michel Strogoff (not in the MovieCove catalog yet)(1926)
Le Prince charmant (not in the MovieCove catalog yet)(1925)
Heart of an Actress (not in the MovieCove catalog yet)(1924)
Career shape
A full career of 33 titles from 1924 to 1953.
How do Gregor Rabinovitch's films land?
Their typical MovieCove film has a Midcredits score in the 83rd percentile, the median of the 5 of 6 with a score; across their 6 films with reception data, the typical film sits in the 79th percentile for acclaim.
- 75th and up4
- 50th to 74th1
Shape of the crowd
None of their 5 titles divides audiences: 3 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser3
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gregor Rabinovitch work with?
People who share at least 2 of Gregor Rabinovitch's MovieCove titles, grouped by what they did on them; Hans Jacoby shares the most, 2.
Writers
- Hans JacobyShared titles: There's No Tomorrow (1939), J'étais une aventurière (1938)See all 2 shared titles with Hans Jacoby
Actors
- Edwige FeuillèreShared titles: There's No Tomorrow (1939), J'étais une aventurière (1938)See all 2 shared titles with Edwige Feuillère
- Michel FrançoisShared titles: There's No Tomorrow (1939), J'étais une aventurière (1938)See all 2 shared titles with Michel François
Cinematographers
- Eugen SchüfftanShared titles: There's No Tomorrow (1939), Port of Shadows (1938)See all 2 shared titles with Eugen Schüfftan