Henri Raichi
- Cinematographer
- 4 on MovieCove
What are Henri Raichi's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Society.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
Light 1 · Serious 2 · Dark 1
A split, not a type: Grounded 2 · Stylized 1 · Heightened 1
A split, not a type: Gentle 1 · Charged 1 · Intense 2
Steady 3 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 1
A split, not a type: Slow burn 2 · Even-paced 1 · Relentless 1
Casual 2 · Engaged 2 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Henri Raichi's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).
Subscription and free streaming for Henri Raichi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Forbidden Priests(1973)
Midcredits score: 50th percentile of all films
Midcredits score: 18th percentile of all films (provisional, few ratings)
Dis-moi qui tuer(1965)
Midcredits score: 2nd percentile of all films (provisional, few ratings)
Zazie in the Metro(1960)
Midcredits score: 77th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1960 to 1973.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Henri Raichi's films land?
Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 27th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- Below 25th2
Shape of the crowd
2 of their 4 titles are Crowd Pleasers.
- Universally Panned1
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Henri Raichi work with?
People who share at least 2 of Henri Raichi's MovieCove titles, grouped by what they did on them; Etienne Périer shares the most, 2.
Directors
- Etienne PérierShared titles: Des garçons et des filles (1967), Dis-moi qui tuer (1965)See all 2 shared titles with Etienne Périer
Writers
- Dominique FabreShared titles: Des garçons et des filles (1967), Dis-moi qui tuer (1965)See all 2 shared titles with Dominique Fabre
Actors
- François LecciaShared titles: Des garçons et des filles (1967), Dis-moi qui tuer (1965)See all 2 shared titles with François Leccia