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Lawrence Raimond

Cinematographer

Works as
Cinematographer
Titles
4 on MovieCove · 8 credits in all
TMDB popularity, last 38 days to Oct 27Down 1% in 30 days

What are Lawrence Raimond's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 1 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 1 · Funny 0

Slow burn 0 · Even-paced 4 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Thrilling
2
Absurd
1
Dread
1
Melancholic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Lawrence Raimond's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Lawrence Raimond's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 4 with a MovieCove page.

  • Midcredits score: 20th percentile of all films (provisional, few ratings)
  • Jan & Dean: On the Run (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • Date Bait(1960)

    Cinematographer

    Midcredits score: 10th percentile of all films
  • Get Outta Town (not in the MovieCove catalog yet)(1960)

    Cinematographer

  • The Miracle of the White Reindeer (not in the MovieCove catalog yet)(1960)

    Writer

  • T-Bird Gang(1959)

    Cinematographer

    Midcredits score: 4th percentile of all films
  • The Brain Eaters(1958)

    Cinematographer

    Midcredits score: 6th percentile of all films
  • The Art of the Burlesque (not in the MovieCove catalog yet)(1950)

    Director · Cinematographer · Editor · Writer

Career shape

A full career of 7 titles from 1950 to 1966.

By role

only this rolewith another role
Directing1 of 7: 0 only directing, 1 with another roleWriting2 of 7: 1 only writing, 1 with another roleCinematography6 of 7: 5 only cinematography, 1 with another roleEditing1 of 7: 0 only editing, 1 with another role

By decade

1950s3 · crew1960s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Lawrence Raimond's films land?

Their typical MovieCove film has a Midcredits score in the 8th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 12th percentile for acclaim.

Acclaim · how much people like their films

12thpercentile
Typical film, the median of 4

Approval · how many liked their films

8thpercentile
Typical film, the median of 4

Reach · how many have seen their films

21stpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • Below 25th4

Reviewers score the cinematography 28/100 in their films, across 3 reviewed titles; fans 30, detractors 23. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Lawrence Raimond work with?

People who share at least 2 of Lawrence Raimond's MovieCove titles, grouped by what they did on them; Ed Nelson shares the most, 2.

Actors

Producers