Peggy Rajski
- Producer
- 13 on MovieCove · 20 credits in all
What are Peggy Rajski's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 10
A split, not a type: Light 2 · Serious 2 · Dark 6
Grounded 9 · Stylized 1 · Heightened 0
Gentle 2 · Charged 4 · Intense 4
A split, not a type: Steady 5 · Shifting 4 · Whiplash 1
Straight-faced 6 · Some laughs 4 · Funny 0
Slow burn 6 · Even-paced 4 · Relentless 0
Casual 4 · Engaged 6 · Full focus 0
A split, not a type: Easy watch 2 · Affecting 2 · Heavy 6
Resolved 7 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet7
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Peggy Rajski's films?
As of October 24, 2026, 7 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Peggy Rajski's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 13 with a MovieCove page.
Sweetheart Deal(2022)
Midcredits score: 93rd percentile of all films
Adam(2020)
Midcredits score: 60th percentile of all films
Seduction. Betrayal. Murder: The Making of The Grifters (not in the MovieCove catalog yet)(2018)
Boys On Film 4: Protect Me From What I Want (not in the MovieCove catalog yet)(2010)
Crossing Midnight (not in the MovieCove catalog yet)(2009)
Towelhead(2007)
Midcredits score: 70th percentile of all films
Wenn Mutti wüsste... (not in the MovieCove catalog yet)(2008)
Bee Season(2005)
Midcredits score: 23rd percentile of all films
The Scoundrel's Wife (not in the MovieCove catalog yet)(2002)
Boys Life 2 (not in the MovieCove catalog yet)(1997)
Home for the Holidays(1995)
Midcredits score: 66th percentile of all films
ER(1994)
Midcredits score: 88th percentile of all shows
Trevor (not in the MovieCove catalog yet)(1994)
Used People(1992)
Midcredits score: 51st percentile of all films
Little Man Tate(1991)
Midcredits score: 68th percentile of all films
The Grifters(1990)
Midcredits score: 76th percentile of all films
Eight Men Out(1988)
Midcredits score: 87th percentile of all films
Matewan(1987)
Midcredits score: 97th percentile of all films
Midcredits score: 75th percentile of all films
Lianna(1983)
Midcredits score: 76th percentile of all films
Career shape
A full career of 19 titles from 1983 to 2020.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Peggy Rajski's films land?
Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 12; across their 10 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up7
- 50th to 74th5
- Below 25th1
Shape of the crowd
9 of their 13 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser9
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Peggy Rajski's work okay for kids?
Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Peggy Rajski work with?
People who share at least 2 of Peggy Rajski's MovieCove titles, grouped by what they did on them; Jodie Foster shares the most, 2.
Directors
- Jodie FosterShared titles: Home for the Holidays (1995), Little Man Tate (1991)See all 2 shared titles with Jodie Foster
- John SaylesShared titles: Matewan (1987), The Brother from Another Planet (1984)See all 2 shared titles with John Sayles
Actors
- Celia WestonShared titles: Adam (2020), Little Man Tate (1991)See all 2 shared titles with Celia Weston
Composers and editors
- Lynzee KlingmanShared titles: Home for the Holidays (1995), Little Man Tate (1991)See all 2 shared titles with Lynzee Klingman
- Mark IshamShared titles: Home for the Holidays (1995), Little Man Tate (1991)See all 2 shared titles with Mark Isham
- Mason DaringShared titles: Matewan (1987), The Brother from Another Planet (1984)See all 2 shared titles with Mason Daring
Producers
- Maggie RenziShared titles: Matewan (1987), The Brother from Another Planet (1984)See all 2 shared titles with Maggie Renzi
