Roger Randall-Cutler
- Producer
- 3 on Motif · 5 credits in all
What are Roger Randall-Cutler's films like?
Across a limited sample of 3 Motif titles with a thematic analysis, their films lean Bonds and Society.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
A split, not a type: Light 1 · Serious 0 · Dark 2
Grounded 3 · Stylized 0 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 0 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 1
Slow burn 2 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Roger Randall-Cutler's films?
As of October 24, 2026, 2 of their 3 Motif titles stream on a subscription or free service.
Subscription and free streaming for Roger Randall-Cutler's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 3 with a Motif page; 1 appearance as themselves is hidden until asked for.
A Kind of Hush (not in the Motif catalog yet)(1999)
The Railway Station Man(1992)
Motif score: 44th percentile of all films
The Commitments(1991)
Motif score: 95th percentile of all films
Soursweet (not in the Motif catalog yet)(1988)
Dance with a Stranger(1985)
Motif score: 68th percentile of all films
Career shape
A full career of 5 titles from 1985 to 1999.
How do Roger Randall-Cutler's films land?
Their typical Motif film has a Motif score in the 68th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 1 is Universally Loved.
- Universally Loved1
- Crowd Pleaser1
- Broadly Agreed1
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Roger Randall-Cutler work with?
People who share at least 2 of Roger Randall-Cutler's Motif titles; Shelagh Delaney shares the most, 2.
- Shelagh DelaneyShared titles: The Railway Station Man (1992), Dance with a Stranger (1985)See all 2 shared titles with Shelagh Delaney
- Richard HartleyShared titles: The Railway Station Man (1992), Dance with a Stranger (1985)See all 2 shared titles with Richard Hartley
