Richard L. Rawlings
Cinematographer · Died March 12, 1992, aged 75 · Philadelphia, Pennsylvania, USA
- November 11, 1916
- March 12, 1992 (aged 75)
- Philadelphia, Pennsylvania, USA
- Cinematographer
- 9 on MovieCove · 21 credits in all
What are Richard L. Rawlings' films like?
Across their 9 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 6
Light 6 · Serious 0 · Dark 1
Grounded 5 · Stylized 2 · Heightened 0
Gentle 4 · Charged 3 · Intense 0
Steady 5 · Shifting 2 · Whiplash 0
A split, not a type: Straight-faced 3 · Some laughs 2 · Funny 2
Slow burn 5 · Even-paced 2 · Relentless 0
Casual 6 · Engaged 1 · Full focus 0
Easy watch 5 · Affecting 2 · Heavy 0
Resolved 6 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy5
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Richard L. Rawlings' films?
As of October 24, 2026, 1 of their 9 MovieCove titles stream on a subscription or free service, on Netflix (1).
Subscription and free streaming for Richard L. Rawlings' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 9 with a MovieCove page.
The New Lassie (not in the MovieCove catalog yet)(1989)
The Colbys (not in the MovieCove catalog yet)(1985)
Making of a Male Model(1983)
Midcredits score: 35th percentile of all films
Shooting Stars (not in the MovieCove catalog yet)(1983)
Midcredits score: 13th percentile of all films
Fantasies (not in the MovieCove catalog yet)(1982)
Dynasty (not in the MovieCove catalog yet)(1981)
Magnum, P.I.(1980)
Midcredits score: 75th percentile of all shows
The Seduction of Miss Leona (not in the MovieCove catalog yet)(1980)
Mother and Daughter: The Loving War (not in the MovieCove catalog yet)(1980)
If Things Were Different(1980)
Midcredits score: 30th percentile of all films (provisional, few ratings)
Love's Savage Fury(1979)
Midcredits score: 16th percentile of all films (provisional, few ratings)
The Users (not in the MovieCove catalog yet)(1978)
Widow (not in the MovieCove catalog yet)(1976)
The Blue Knight (not in the MovieCove catalog yet)(1975)
Midcredits score: 53rd percentile of all films
Cocoon (not in the MovieCove catalog yet)(1968)
The Killers(1964)
Midcredits score: 82nd percentile of all films
Midcredits score: 43rd percentile of all films
The Case of the Dangerous Robin (not in the MovieCove catalog yet)(1960)
Home Run Derby(1959)
Midcredits score: 91st percentile of all shows
Career shape
A full career of 21 titles from 1960 to 1989.
Biggest box office
The Killers (1964)
Highest rated
The Killers (1964)
Most popular right now
Magnum, P.I. (1980)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Richard L. Rawlings' films land?
Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 75th and up3
- 50th to 74th1
- 25th to 49th3
- Below 25th2
Shape of the crowd
4 of their 9 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser4
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Richard L. Rawlings work with?
People who share at least 2 of Richard L. Rawlings' MovieCove titles, grouped by what they did on them; John Woodcock shares the most, 3.
Actors
- Arte JohnsonShared titles: Making of a Male Model (1983), If Things Were Different (1980)See all 2 shared titles with Arte Johnson
- Joan CollinsShared titles: Making of a Male Model (1983), The Wild Women of Chastity Gulch (1982)See all 2 shared titles with Joan Collins
Editors
- John WoodcockShared titles: Making of a Male Model (1983), The Wild Women of Chastity Gulch (1982), Love's Savage Fury (1979)See all 3 shared titles with John Woodcock
Producers
- Aaron SpellingShared titles: Making of a Male Model (1983), The Wild Women of Chastity Gulch (1982), Love's Savage Fury (1979)See all 3 shared titles with Aaron Spelling
- Douglas S. CramerShared titles: Making of a Male Model (1983), The Wild Women of Chastity Gulch (1982), Love's Savage Fury (1979)See all 3 shared titles with Douglas S. Cramer
- E. Duke VincentShared titles: Making of a Male Model (1983), The Wild Women of Chastity Gulch (1982), Love's Savage Fury (1979)See all 3 shared titles with E. Duke Vincent