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Kimberly Ray

Editor

Works as
Editor
Titles
15 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 30% in 30 days

What are Kimberly Ray's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Adventure3 titlesTypical Midcredits score: 31st percentile, at or above their average across these genres
: browse their Adventure movies
Comedy3 titlesTypical Midcredits score: 29th percentile, at or above their average across these genres
: browse their Comedy movies
Crime2 titlesTypical Midcredits score: 24th percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
29%
Morality
26%
Self
26%
Power
11%
Ideas
5%
Society
3%
Friendship4 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themePurpose2 titles, browse their movies with this themeSelf-worth2 titles, browse their movies with this theme

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 6 · Serious 2 · Dark 3

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 6 · Stylized 5 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 4 · Charged 5 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 5 · Shifting 6 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 4 · Some laughs 3 · Funny 4

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 7 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 2 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 10 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Joyful
6
Contemplative
3
Warm
2
Absurd
2
Other
10

How their films linger

Feel-good5 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end

  • Happy5
  • Bittersweet3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Kimberly Ray's films?

As of October 24, 2026, 10 of their 15 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Kimberly Ray's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 15 with a MovieCove page.

  • Lovewrecked(2005)

    Editor

    Midcredits score: 15th percentile of all films

  • House(2004)

    Show 21 episodes · Editor

    Midcredits score: 99th percentile of all shows

  • Uncovered: The War on Iraq(2004)

    Editor

    Midcredits score: 87th percentile of all films

  • The Extreme Team (not in the MovieCove catalog yet)(2003)

    Editor

  • Big Fat Liar(2002)

    Editor

    Midcredits score: 31st percentile of all films

  • Dude, Where's My Car?(2000)

    Editor

    Midcredits score: 28th percentile of all films

  • Deadlocked(2000)

    Editor

    Midcredits score: 41st percentile of all films

  • Buffy the Vampire Slayer(1997)

    Show 8 episodes · Editor

    Midcredits score: 93rd percentile of all shows

  • A Loss of Innocence (not in the MovieCove catalog yet)(1996)

    Editor

  • Tin Cup(1996)

    Editor

    Midcredits score: 57th percentile of all films

  • The Good Old Boys(1995)

    Editor

    Midcredits score: 63rd percentile of all films

  • Cobb(1994)

    Editor

    Midcredits score: 53rd percentile of all films

  • Major League II(1994)

    Editor

    Midcredits score: 29th percentile of all films

  • The Program(1993)

    Editor

    Midcredits score: 60th percentile of all films

  • White Men Can't Jump(1992)

    Editor

    Midcredits score: 75th percentile of all films

  • Mortal Passions(1989)

    Editor

    Midcredits score: 7th percentile of all films

  • Mike's Murder (not in the MovieCove catalog yet)(1984)

    Assistant Editor

  • Halloween II(1981)

    Assistant Editor

    Midcredits score: 61st percentile of all films

Career shape

A full career of 18 titles from 1981 to 2005.

Biggest box office

White Men Can't Jump (1992)

$91M worldwide

Highest rated

White Men Can't Jump (1992)

Midcredits 75th

Most popular right now

Dude, Where's My Car? (2000)

By role

only this rolewith another role
Editing16 of 18: 16 only editing, 0 with another role · typical Midcredits score55thOther crew2 of 18: 2 only other crew, 0 with another role

By decade

1980s3 · crew1990s8 · crew2000s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Kimberly Ray's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 41st percentile for acclaim.

Acclaim · how much people like their films

41stpercentile
Typical film, the median of 11

Approval · how many liked their films

41stpercentile
Typical film, the median of 11

Reach · how many have seen their films

81stpercentile
Typical film, the median of 11

Midcredits score across 15 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th2

Shape of the crowd

6 of their 15 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser6
  • Broadly Agreed1
  • Mixed6

Most divisive · editor

Uncovered: The War on Iraq (2004)

64th percentile spread · 12% rated it 4 or lower

Most loved · editor

House (2004)

Midcredits 99th · 94% liked

Reviewers score the pacing 51/100 in their films, across 11 reviewed titles; fans 60, detractors 35. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Kimberly Ray's work okay for kids?

Across up to 8 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 32 · mildMedian of all films: 44
Sex & Nudity8 titles19–62 · median 43 · moderateheavier than most filmsMedian of all films: 32
Profanity4 titlesmedian 55 · moderateMedian of all films: 36
Alcohol & Drugs3 titlesmedian 31 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 13 · minimalMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Kimberly Ray work with?

People who share at least 2 of Kimberly Ray's MovieCove titles, grouped by what they did on them; Paul Seydor shares the most, 4.

Directors

Actors

Composers, cinematographers and editors

Producers