Academy Award-winning filmmakers Alan and Susan Raymond are among America's most influential and distinguished independent documentary producers and directors. The films of Alan and Susan Raymond reflect our society's changing values and changed the course of television history.
Biography from TMDB.
- Director, producer and writer
- 5 on MovieCove · 20 credits in all
Known for
What are Susan Raymond's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 0 · Dark 3
Grounded 4 · Stylized 0 · Heightened 0
Gentle 1 · Charged 3 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 1 · Relentless 0
Casual 2 · Engaged 2 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 2
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Susan Raymond's films?
As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service, most on HBO Max (2).
Subscription and free streaming for Susan Raymond's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
20 credits, 5 with a MovieCove page.

Killing the Colorado(2016)
Midcredits score: 71st percentile of all films (provisional, few ratings)
Midcredits score: 67th percentile of all films
Journey Into Dyslexia(2011)
Midcredits score: 56th percentile of all films
Hard Times at Douglass High: A No Child Left Behind Report Card (not in the MovieCove catalog yet)(2008)

Addiction(2007)
Midcredits score: 49th percentile of all films
Lance Loud!: A Death in An American Family (not in the MovieCove catalog yet)(2003)

Ararat(2002)
Midcredits score: 57th percentile of all filmsChildren in War (not in the MovieCove catalog yet)(2000)

I Am a Promise: The Children of Stanton Elementary School (not in the MovieCove catalog yet)(1993)

Doing Time: Life Inside the Big House (not in the MovieCove catalog yet)(1991)
Police Chiefs (not in the MovieCove catalog yet)(1990)
Into Madness (not in the MovieCove catalog yet)(1989)

POV (not in the MovieCove catalog yet)(1988)

Elvis '56 (not in the MovieCove catalog yet)(1988)

An American Family Revisited: The Louds 10 Years Later (not in the MovieCove catalog yet)(1983)

The Third Coast (not in the MovieCove catalog yet)(1981)

The Police Tapes (not in the MovieCove catalog yet)(1977)

An American Family (not in the MovieCove catalog yet)(1973)

Omnibus (not in the MovieCove catalog yet)(1967)
Children in War (not in the MovieCove catalog yet)
Career shape
A full career of 19 titles, 18 of them dated from 1967 to 2016.
How do Susan Raymond's films land?
Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 64th percentile for acclaim.
- 50th to 74th4
- 25th to 49th1
Shape of the crowd
3 of their 5 titles are Mixed.
- Divisive1
- Broadly Agreed1
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Susan Raymond work with?
People who share at least 2 of Susan Raymond's MovieCove titles, grouped by what they did on them; Alan Raymond shares the most, 3.
Directors
- Barbara KoppleShared titles: Killing the Colorado (2016), Addiction (2007)See all 2 shared titles with Barbara Kopple

Cinematographers
- Alan RaymondShared titles: Killing the Colorado (2016), Toe Tag Parole: To Live and Die on Yard A (2015), Journey Into Dyslexia (2011)See all 3 shared titles with Alan Raymond

Producers
- John HoffmanShared titles: Killing the Colorado (2016), Journey Into Dyslexia (2011), Addiction (2007)See all 3 shared titles with John Hoffman

- David CassidyShared titles: Killing the Colorado (2016), Addiction (2007)See all 2 shared titles with David Cassidy
- Sheila NevinsShared titles: Journey Into Dyslexia (2011), Addiction (2007)See all 2 shared titles with Sheila Nevins


