Harry Redmond Jr.
- Producer
- 3 on MovieCove
What are Harry Redmond Jr.'s films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Ideas.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 3 · Stylized 0 · Heightened 0
Gentle 3 · Charged 0 · Intense 0
Steady 3 · Shifting 0 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 3 · Engaged 0 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Harry Redmond Jr.'s films?
As of October 24, 2026, none of Harry Redmond Jr.'s 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Harry Redmond Jr.'s titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Midcredits score: 43rd percentile of all films
Zebra in the Kitchen(1965)
Midcredits score: 16th percentile of all films
Flipper(1963)
Midcredits score: 39th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1963 to 1965.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Harry Redmond Jr.'s films land?
Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Broadly Agreed.
- Broadly Agreed2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Harry Redmond Jr. work with?
People who share at least 2 of Harry Redmond Jr.'s MovieCove titles, grouped by what they did on them; Lamar Boren shares the most, 3.
Writers
- Art ArthurShared titles: Clarence, the Cross-Eyed Lion (1965), Zebra in the Kitchen (1965)See all 2 shared titles with Art Arthur
Cinematographers and editors
- Lamar BorenShared titles: Clarence, the Cross-Eyed Lion (1965), Zebra in the Kitchen (1965), Flipper (1963)See all 3 shared titles with Lamar Boren
- Warren AdamsShared titles: Zebra in the Kitchen (1965), Flipper (1963)See all 2 shared titles with Warren Adams
Producers
- Ivan TorsShared titles: Zebra in the Kitchen (1965), Flipper (1963)See all 2 shared titles with Ivan Tors
