José María González Sinde
Producer · Born April 18, 1968 (58) · Spain
- April 18, 1968 (58)
- Spain
- Producer
- 9 on MovieCove · 24 credits in all
What are José María González Sinde's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 3 · Serious 1 · Dark 0
Grounded 3 · Stylized 1 · Heightened 0
A split, not a type: Gentle 3 · Charged 0 · Intense 1
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 0
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch José María González Sinde's films?
As of October 24, 2026, 6 of their 9 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for José María González Sinde's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 9 with a MovieCove page.

Above and Below(2026)
Midcredits score: 10th percentile of all films
That Dirty Black Bag(2022)
Midcredits score: 59th percentile of all shows
The Young Chief Winnetou(2022)
Midcredits score: 19th percentile of all films
Turn Up Charlie(2019)
Midcredits score: 51st percentile of all shows
Midcredits score: 39th percentile of all films
Windstorm 3(2017)
Midcredits score: 62nd percentile of all films
Midcredits score: 18th percentile of all shows
Sahara(2005)
Midcredits score: 41st percentile of all films
Killer Housewives (not in the MovieCove catalog yet)(2001)

Y decirte alguna estupidez, por ejemplo, te quiero (not in the MovieCove catalog yet)(2000)

Gran Slalom (not in the MovieCove catalog yet)(1996)

The Day of the Beast(1995)
Midcredits score: 90th percentile of all films
Cradle Song (not in the MovieCove catalog yet)(1994)

A la pálida luz de la luna (not in the MovieCove catalog yet)(1985)

El gran mogollón (not in the MovieCove catalog yet)(1982)

Viva la clase media (not in the MovieCove catalog yet)(1980)

Las verdes praderas (not in the MovieCove catalog yet)(1979)

Alone in the Small Hours (not in the MovieCove catalog yet)(1978)

Asignatura pendiente (not in the MovieCove catalog yet)(1977)

Fierce Love, or When Children Play at Love (not in the MovieCove catalog yet)(1975)

¡Al fútbol! (not in the MovieCove catalog yet)(1975)

The Legend of Blood Castle (not in the MovieCove catalog yet)(1973)

Canticle (not in the MovieCove catalog yet)(1972)

Plinio (not in the MovieCove catalog yet)(1972)
Career shape
A full career of 18 titles from 1972 to 2026.
How do José María González Sinde's films land?
Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 35th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th2
- Below 25th3
Shape of the crowd
4 of their 9 titles are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed1
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does José María González Sinde work with?
People who share at least 2 of José María González Sinde's MovieCove titles, grouped by what they did on them; Peter Welter Soler shares the most, 3.
Writers
- Lea SchmidbauerShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Lea Schmidbauer
Actors
- Amber BongardShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Amber Bongard

- Cornelia FroboessShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Cornelia Froboess

- Hanna BinkeShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Hanna Binke

- Marvin LinkeShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Marvin Linke

Composers, cinematographers and editors
- Tobias HaasShared titles: The Young Chief Winnetou (2022), Windstorm 3 (2017)See all 2 shared titles with Tobias Haas
- Annette FocksShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Annette Focks

- Florian EmmerichShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Florian Emmerich

Producers
- Peter Welter SolerShared titles: The Young Chief Winnetou (2022), Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 3 shared titles with Peter Welter Soler

- Andreas Ulmke-SmeatonShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Andreas Ulmke-Smeaton
- Ewa KarlströmShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Ewa Karlström
- Hanna StahlShared titles: Windstorm 4: Ari's Arrival (2019), Windstorm 3 (2017)See all 2 shared titles with Hanna Stahl



