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Anna Gmeyner

Writer

Works as
Writer
Titles
3 on MovieCove

What are Anna Gmeyner's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Society.

Themes

share of theme weight
Morality
49%
Society
24%
Bonds
17%
Ideas
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 0 · Dark 3

A split, not a type: Grounded 2 · Stylized 1 · Heightened 0

Gentle 0 · Charged 1 · Intense 2

A split, not a type: Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 3 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 2

Resolved 2 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Hopeful
3
Melancholic
2
Contemplative
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Anna Gmeyner's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Anna Gmeyner's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

  • Thunder Rock(1942)

    Writer

    Midcredits score: 62nd percentile of all films
  • Pastor Hall(1940)

    Writer

    Midcredits score: 87th percentile of all films
  • Comradeship(1931)

    Writer

    Midcredits score: 93rd percentile of all films

Career shape

Across a limited sample of 3 MovieCove titles from 1931 to 1942.

By role

only this rolewith another role
Writing3 of 3: 3 only writing, 0 with another role

By decade

1930s1 · crew1940s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Anna Gmeyner's films land?

Their typical MovieCove film has a Midcredits score in the 87th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 90th percentile for acclaim.

Acclaim · how much people like their films

90thpercentile
Typical film, the median of 3

Approval · how many liked their films

81stpercentile
Typical film, the median of 3

Reach · how many have seen their films

33rdpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up2
  • 50th to 74th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2

Reviewers score the dialogue 63/100 and the plot and story 63/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Anna Gmeyner work with?

People who share at least 2 of Anna Gmeyner's MovieCove titles, grouped by what they did on them; Roy Boulting shares the most, 2.

Directors

Writers

Composers and cinematographers

Producers

Mixed roles