George Reinhart
- Producer
- 5 on MovieCove
What are George Reinhart's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Society.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 1 · Serious 1 · Dark 3
Grounded 5 · Stylized 0 · Heightened 0
Gentle 1 · Charged 2 · Intense 2
Steady 5 · Shifting 0 · Whiplash 0
Straight-faced 4 · Some laughs 1 · Funny 0
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 0 · Engaged 4 · Full focus 1
A split, not a type: Easy watch 1 · Affecting 1 · Heavy 3
A split, not a type: Resolved 2 · Open-ended 3 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet1
- Tragic2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch George Reinhart's films?
As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for George Reinhart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Midcredits score: 87th percentile of all films
As You Like It(1992)
Midcredits score: 19th percentile of all films
Welcome to Germany(1988)
Midcredits score: 49th percentile of all films
Sorceress(1987)
Midcredits score: 61st percentile of all films
The Boat Is Full(1981)
Midcredits score: 77th percentile of all films
Career shape
Across their 5 MovieCove titles from 1981 to 1994.
How do George Reinhart's films land?
Their typical MovieCove film has a Midcredits score in the 61st percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 56th percentile for acclaim.
- 75th and up2
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
3 of their 5 titles are Crowd Pleasers.
- Crowd Pleaser3
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does George Reinhart work with?
People who share at least 2 of George Reinhart's MovieCove titles; Martine Marignac shares the most, 2.
- Martine MarignacShared titles: Joan the Maid 2: The Prisons (1994), Sorceress (1987)See all 2 shared titles with Martine Marignac