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Linda Reisman

Linda Reisman

Producer

Works as
Producer
Titles
14 on MovieCove · 15 credits in all
TMDB popularity, last 37 days to Oct 26Down 22% in 30 days

What are Linda Reisman's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 3 · Dark 10

Grounded 5 · Stylized 7 · Heightened 1

Gentle 1 · Charged 9 · Intense 3

Steady 3 · Shifting 8 · Whiplash 2

Straight-faced 10 · Some laughs 3 · Funny 0

A split, not a type: Slow burn 7 · Even-paced 4 · Relentless 2

Casual 3 · Engaged 7 · Full focus 3

Easy watch 0 · Affecting 5 · Heavy 8

Resolved 2 · Open-ended 6 · Ambiguous 5

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
12
Dread
5
Bittersweet
3
Absurd
2
Other
8

How their films end · 1 with a twist

  • Bittersweet8
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Linda Reisman's films?

As of October 24, 2026, 9 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Linda Reisman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 14 with a MovieCove page.

  • Leave No Trace(2018)

    Producer

    Midcredits score: 86th percentile of all films
  • The Danish Girl(2015)

    Executive Producer

    Midcredits score: 85th percentile of all films
  • Assassination Tango(2002)

    Executive Producer

    Midcredits score: 35th percentile of all films
  • Pumpkin(2002)

    Executive Producer

    Midcredits score: 49th percentile of all films
  • No Such Thing(2001)

    Executive Producer

    Midcredits score: 46th percentile of all films
  • Jeepers Creepers(2001)

    Executive Producer

    Midcredits score: 54th percentile of all films
  • Waking the Dead(2000)

    Producer

    Midcredits score: 59th percentile of all films
  • Titus(1999)

    Producer

    Midcredits score: 77th percentile of all films
  • Affliction(1997)

    Producer

    Midcredits score: 77th percentile of all films
  • Mother Night(1996)

    Executive Producer

    Midcredits score: 81st percentile of all films
  • Light Sleeper(1992)

    Producer

    Midcredits score: 79th percentile of all films
  • The Comfort of Strangers(1990)

    Associate Producer

    Midcredits score: 53rd percentile of all films
  • Patty Hearst(1988)

    Producer

    Midcredits score: 51st percentile of all films
  • Light of Day(1987)

    as Young Clerk

    Midcredits score: 29th percentile of all films
  • American Darling (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 13 titles, 12 of them dated from 1987 to 2018.

By role

only this rolewith another role
Acting1 of 13: 1 only acting, 0 with another roleProducing12 of 13: 12 only producing, 0 with another role · typical Midcredits score59th

By decade

1980s1 · acting1990s4 · crew2000s5 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Linda Reisman's films land?

Their typical MovieCove film has a Midcredits score in the 57th percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 13

Approval · how many liked their films

63rdpercentile
Typical film, the median of 13

Reach · how many have seen their films

87thpercentile
Typical film, the median of 13

Midcredits score across 14 titles, by percentile

  • 75th and up6
  • 50th to 74th4
  • 25th to 49th4

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Linda Reisman's work okay for kids?

Across up to 10 MovieCove titles with content scores, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore5 titles26–89 · median 49 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity10 titles23–75 · median 53 · moderateheavier than most filmsMedian of all films: 32
Profanity7 titles13–72 · median 49 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs5 titles18–72 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense5 titles32–84 · median 75 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Linda Reisman work with?

People who share at least 2 of Linda Reisman's MovieCove titles, grouped by what they did on them; Paul Schrader shares the most, 4.

Directors

Actors

Cinematographers and editors

Producers