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Remedios

Remedios

Composer · Born January 6, 1965 (61) · Ginowan, Okinawa, Japan

Born
January 6, 1965 (61)
From
Ginowan, Okinawa, Japan
Works as
Composer
Titles
4 on MovieCove · 10 credits in all

What are Remedios' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Survival and Morality.

Themes

share of theme weight
Survival
32%
Morality
23%
Self
20%
Bonds
9%
Power
8%
Society
8%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 1 · Stylized 1 · Heightened 1

Gentle 1 · Charged 2 · Intense 0

Steady 3 · Shifting 0 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 0 · Relentless 0

Casual 1 · Engaged 2 · Full focus 0

A split, not a type: Easy watch 0 · Affecting 2 · Heavy 1

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
4
Bittersweet
2
Contemplative
2
Warm
2
Cathartic
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Remedios' films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Crunchyroll (1).

Subscription and free streaming for Remedios' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks.

Filmography

10 credits, 4 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Midcredits score: 90th percentile of all films
  • Anohana: The Flower We Saw That Day(2011)

    Show 11 episodes · Composer

    Midcredits score: 92nd percentile of all shows
  • Mother (not in the MovieCove catalog yet)(2010)

    Show 11 episodes · Composer

  • Dessin (not in the MovieCove catalog yet)(1997)

    Show 12 episodes · Composer

  • Picnic(1996)

    Composer

    Midcredits score: 81st percentile of all films
  • Kimi to Deatte kara (not in the MovieCove catalog yet)(1996)

    Show 13 episodes · Composer

  • Love Letter(1995)

    Composer

    Midcredits score: 97th percentile of all films
  • Undo (not in the MovieCove catalog yet)(1994)

    Composer

  • Fireworks, Should We See It from the Side or the Bottom? (not in the MovieCove catalog yet)(1993)

    Composer

  • Fried Dragon Fish (not in the MovieCove catalog yet)(1993)

    Composer

Career shape

A full career of 10 titles from 1993 to 2013.

By role

only this rolewith another role
Music10 of 10: 10 only music, 0 with another role

By decade

1990s7 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Remedios' films land?

Their typical MovieCove film has a Midcredits score in the 90th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 89th percentile for acclaim.

Acclaim · how much people like their films

89thpercentile
Typical film, the median of 3

Approval · how many liked their films

87thpercentile
Typical film, the median of 3

Reach · how many have seen their films

85thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 75th and up4

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Remedios work with?

People who share at least 2 of Remedios' MovieCove titles, grouped by what they did on them; Tatsuyuki Nagai shares the most, 2.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles