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Marie-Pierre Renaud

Editor

Works as
Editor
Titles
6 on MovieCove · 21 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Down 20% in 30 days

What are Marie-Pierre Renaud's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
31%
Morality
31%
Self
21%
Survival
9%
Society
4%
Ideas
4%
Identity3 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 4 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 1 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 2 · Full focus 1

Heavy: How much it costs you emotionally; whether you need recovery time. Browse their heavy movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 0 · Affecting 3 · Heavy 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 4 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
3
Hopeful
1
Thrilling
1
Dread
1
Other
3

How their films linger

Thought-provoking2 titles, browse their movies with this aftertasteBittersweet2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Marie-Pierre Renaud's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Marie-Pierre Renaud's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 6 with a MovieCove page.

  • Hyacinthe (not in the MovieCove catalog yet)(2025)

    Editor

  • The Women in Block J (not in the MovieCove catalog yet)(2022)

    Editor

  • Between Us(2022)

    Editor

    Midcredits score: 23rd percentile of all films

  • Confetti(2021)

    Editor

    Midcredits score: 78th percentile of all films (provisional, few ratings)

  • Apatride (not in the MovieCove catalog yet)(2018)

    Editor

  • Twilight of Shadows (not in the MovieCove catalog yet)(2014)

    Editor

  • Paris Under Watch (not in the MovieCove catalog yet)(2012)

    Editor

  • The 5th String (not in the MovieCove catalog yet)(2011)

    Editor

  • Andalusia, My Love! (not in the MovieCove catalog yet)(2011)

    Editor

  • The Chameleon(2010)

    Editor

    Midcredits score: 25th percentile of all films

  • Female Agents(2008)

    Editor

    Midcredits score: 74th percentile of all films

  • Ain't Scared (not in the MovieCove catalog yet)(2007)

    Editor

  • Dérives (not in the MovieCove catalog yet)(2005)

    Editor

  • Arsène Lupin(2004)

    Editor

    Midcredits score: 22nd percentile of all films

  • Turn Left at the End of the World (not in the MovieCove catalog yet)(2004)

    Supervising Editor

  • The Kite (not in the MovieCove catalog yet)(2004)

    Editor

  • High Times Potluck (not in the MovieCove catalog yet)(2003)

    Editor

  • Du côté des filles (not in the MovieCove catalog yet)(2001)

    Editor

  • The Truman Show(1998)

    Assistant Editor

    Midcredits score: 99th percentile of all films

  • The Country Years (not in the MovieCove catalog yet)(1992)

    Editor

  • Basse tension (not in the MovieCove catalog yet)(1992)

    Editor

Career shape

A full career of 19 titles from 1992 to 2025.

Biggest box office

Arsène Lupin (2004)

$9.7M worldwide

Highest rated

Female Agents (2008)

Midcredits 74th

By role

only this rolewith another role
Editing18 of 19: 18 only editing, 0 with another roleOther crew1 of 19: 1 only other crew, 0 with another role

By decade

1990s3 · crew2000s8 · crew2010s5 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Marie-Pierre Renaud's films land?

Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 5

Approval · how many liked their films

33rdpercentile
Typical film, the median of 5

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

2 of their 6 titles are Mixed.

  • Universally Loved1
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser1
  • Mixed2

Most divisive · editor

Between Us (2022)

91st percentile spread · 38% rated it 4 or lower

Most loved · editor

Female Agents (2008)

Midcredits 74th · 66% liked

Reviewers score the pacing 39/100 in their films, across 4 reviewed titles; fans 56, detractors 25. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Marie-Pierre Renaud work with?

People who share at least 2 of Marie-Pierre Renaud's MovieCove titles, grouped by what they did on them; Jean-Paul Salomé shares the most, 3.

Directors

Writers

Composers and cinematographers