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Alexandre Azaria

Alexandre Azaria

Composer · Born September 3, 1967 (59) · France

Alexandre Azaria was born on 3 September 1967 in France. Alexandre is a composer, known for Brick Mansions (2014), Lockout (2012) and Transporter 3 (2008).

Biography from IMDb.

Born
September 3, 1967 (59)
From
France
Works as
Composer
Titles
25 on MovieCove · 39 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 65 days to Oct 28Up 32% in 30 days

What are Alexandre Azaria's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Comedy10 titlesTypical Midcredits score: 20th percentile
: browse their Comedy movies
Action8 titlesTypical Midcredits score: 34th percentile
: browse their Action movies
Biography2 titlesTypical Midcredits score: 56th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
35%
Morality
25%
Self
19%
Survival
11%
Society
4%
Power
4%
Ideas
1%
Family bonds8 titles, browse their movies with this themeSurvival6 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeFriendship5 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this theme

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 13 · Serious 8 · Dark 2

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 9 · Stylized 8 · Heightened 6

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 11 · Intense 6

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 10 · Shifting 10 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 5 · Funny 12

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 12 · Relentless 7

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 14 · Engaged 8 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 20 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
13
Absurd
9
Joyful
8
Thrilling
7
Warm
8
Other
15

How their films linger

Fun14 titles, browse their movies with this aftertasteFeel-good12 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertaste

How their films end · 4 with a twist

  • Happy16
  • Bittersweet6
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alexandre Azaria's films?

As of October 24, 2026, 9 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Also on these channels

Subscription and free streaming for Alexandre Azaria's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 25 with a MovieCove page.

  • Certains l'aiment chauve (not in the MovieCove catalog yet)(2025)

    Composer

  • The Gardener(2025)

    Composer

    Midcredits score: 6th percentile of all films

  • Abdo and Saneya (not in the MovieCove catalog yet)(2024)

    Composer

  • King of My Castle (not in the MovieCove catalog yet)(2024)

    Composer

  • Cannes Confidential(2023)

    Show 6 episodes · Composer

    Midcredits score: 5th percentile of all shows

  • Assassin Club(2023)

    Composer

    Midcredits score: 8th percentile of all films

  • Song Express (not in the MovieCove catalog yet)(2021)

    Composer

  • Spoiled Brats(2021)

    Composer

    Midcredits score: 40th percentile of all films

  • Ducoboo 3 (not in the MovieCove catalog yet)(2020)

    Composer

  • Par instinct (not in the MovieCove catalog yet)(2017)

    Composer

  • Les têtes de l'emploi(2016)

    Composer

    Midcredits score: 12th percentile of all films

  • La Dream Team(2016)

    Composer

    Midcredits score: 24th percentile of all films

  • The Transporter Refueled(2015)

    Composer

    Midcredits score: 14th percentile of all films

  • Brick Mansions(2014)

    Composer

    Midcredits score: 29th percentile of all films

  • Le jeu de la vérité(2014)

    Composer

    Midcredits score: 10th percentile of all films

  • Denis (not in the MovieCove catalog yet)(2013)

    Composer

  • Billy and Buddy(2013)

    Composer

    Midcredits score: 6th percentile of all films

  • Lockout(2012)

    Composer

    Midcredits score: 40th percentile of all films

  • Case départ(2011)

    Composer

    Midcredits score: 48th percentile of all films

  • Omar Killed Me(2011)

    Composer

    Midcredits score: 74th percentile of all films

  • Imogène McCarthery (not in the MovieCove catalog yet)(2010)

    Composer

  • RTT (not in the MovieCove catalog yet)(2009)

    Composer

  • Hallelujah! (not in the MovieCove catalog yet)(2009)

    Composer

  • Transporter 3(2008)

    Composer

    Midcredits score: 41st percentile of all films

  • Go Fast(2008)

    Composer

    Midcredits score: 38th percentile of all films

  • Daddy Cool(2008)

    Composer

    Midcredits score: 16th percentile of all films

  • The Easy Way(2008)

    Composer

    Midcredits score: 37th percentile of all films

  • Secret Defense(2008)

    Composer

    Midcredits score: 52nd percentile of all films

  • The Red Inn (not in the MovieCove catalog yet)(2007)

    Composer

  • Time-Jam - Valérian & Laureline(2007)

    Show Composer

    Midcredits score: 60th percentile of all shows

  • Love and Other Disasters(2006)

    Composer

    Midcredits score: 50th percentile of all films

  • Asterix and the Vikings(2006)

    Composer

    Midcredits score: 45th percentile of all films

  • La vie est à nous ! (not in the MovieCove catalog yet)(2005)

    Musician

  • Transporter 2(2005)

    Composer

    Midcredits score: 51st percentile of all films

  • Lucky Luke and the Daltons(2004)

    Composer

    Midcredits score: 1st percentile of all films

  • In Your Image (not in the MovieCove catalog yet)(2004)

    Composer

  • Fanfan(2003)

    Composer

    Midcredits score: 31st percentile of all films

  • The Dope (not in the MovieCove catalog yet)(2003)

    Composer

  • Comme un poisson hors de l'eau(1999)

    Composer

    Midcredits score: 23rd percentile of all films

Career shape

A full career of 34 titles from 1999 to 2025.

Biggest box office

Transporter 3 (2008)

$109M worldwide

Highest rated

Omar Killed Me (2011)

Midcredits 74th

Most popular right now

Transporter 2 (2005)

By role

only this rolewith another role
Music33 of 34: 33 only music, 0 with another role · typical Midcredits score28thOther crew1 of 34: 1 only other crew, 0 with another role

By decade

1990s1 · crew2000s15 · crew2010s9 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alexandre Azaria's films land?

Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 23; across their 23 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 23

Approval · how many liked their films

29thpercentile
Typical film, the median of 23

Reach · how many have seen their films

83rdpercentile
Typical film, the median of 23

Midcredits score across 25 titles, by percentile

  • 50th to 74th5
  • 25th to 49th9
  • Below 25th11

Shape of the crowd

11 of their 25 titles are Broadly Agreed.

  • Universally Panned3
  • Crowd Pleaser4
  • Broadly Agreed11
  • Mixed7

Most divisive · composer

Cannes Confidential (2023)

74th percentile spread · 35% rated it 4 or lower

Most loved · composer

Omar Killed Me (2011)

Midcredits 74th · 60% liked

Reviewers score the sound and music 57/100 in their films, across 14 reviewed titles; fans 67, detractors 40. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alexandre Azaria's work okay for kids?

Across up to 8 MovieCove titles with content scores, violence & gore, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles38–75 · median 68 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity8 titles22–56 · median 34 · mildnear the median of all filmsMedian of all films: 32
Profanity6 titles50–71 · median 62 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs6 titles37–65 · median 59 · moderateheavier than most filmsMedian of all films: 33
Frightening / Intense6 titles29–63 · median 52 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alexandre Azaria work with?

People who share at least 2 of Alexandre Azaria's MovieCove titles, grouped by what they did on them; Luc Besson shares the most, 8.

Directors

Writers

Actors

Editors

Producers

Mixed roles