Arthur F. Repola
Producer · Born August 13, 1953 (73) · Los Angeles, California, USA
Art Repola is the Senior Vice President of Visual Effects and Production for the Walt Disney Motion Pictures Group. Repola is responsible for all aspects of Visual Effects production for the studio's various banners, including Disney, Touchstone and Hollywood Pictures. In this role he has managed the visual effects on more than 80 Disney live action films, including "Pearl Harbor," "Armageddon," "Inspector Gadget" and "Mighty Joe Young." He is also the Executive in Charge of Production for the company's Large Format film business. He was previously responsible for overseeing the operation of Dream Quest Images, the Academy Award®-winning visual effects facility, which was acquired in 1996 by the Walt Disney Studios. Under Repola's leadership, Disney Studios has received three Academy Award® nominations for Best Visual Effects. Repola had previously worked at the Walt Disney Studios where he served as Vice President of Post Production for Hollywood Pictures. Following that, he co-wrote and produced a Special Venue-High-Definition, Interactive film for the Sony Corporation. This educational film details Sound and Picture technologies through the use of live-action, computer graphics and traditional animation. He went on to produce a television pilot, and also served as the Associate Producer on the 1995 fantasy film, "The Indian in the Cupboard." Before rejoining Disney, he served as Vice President of Film and Video Production for the Universal Theme Parks. There his credits included Executive Producer of the innovative 12-minute, 3D film featured in the theme park attraction, "T2 -- 3D: Battle Across Time," which was directed by James Cameron and stars Arnold Schwarzenegger. Repola began his professional career in the International Film department at 20th Century Fox. After working on the foreign versions of George Lucas' "Star Wars," he joined Lucasfilm's Marin County-based Industrial Light and Magic (ILM) as a visual effects editor, eventually being named Visual Effects Producer. During his stay at ILM, he contributed to such ground-breaking projects as "The Empire Strikes Back," "Raiders of the Lost Ark," "Indiana Jones and the Temple of Doom," "Dragonslayer" and "Return of the Jedi." After moving back to Los Angeles, Repola became a member of the team at Boss Films, which was responsible for the visual effects on "Ghostbusters" and "2010". He then joined Steven Spielberg's Amblin Entertainment as the Executive in Charge of Post Production, supervising the post activities for such projects as "Back to the Future," "The Color Purple" and "Empire of the Sun," among others. He also served as the Associate Producer for Lucasfilm's "Indiana Jones and the Last Crusade." Repola is a member of the Academy of Motion Picture Arts and Sciences and serves on the Board of Directors of the Visual Effects Society. - IMDb Mini Biography
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Biography from TMDB.
- August 13, 1953 (73)
- Los Angeles, California, USA
- Producer
- 10 on MovieCove
Known for
What are Arthur F. Repola's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 4 · Serious 0 · Dark 0
A split, not a type: Grounded 2 · Stylized 1 · Heightened 1
Gentle 0 · Charged 2 · Intense 2
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 4 · Funny 0
A split, not a type: Slow burn 1 · Even-paced 1 · Relentless 2
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Arthur F. Repola's films?
As of October 24, 2026, 7 of their 10 MovieCove titles stream on a subscription or free service, most on Disney+ (3).
Subscription and free streaming for Arthur F. Repola's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
10 credits, 10 with a MovieCove page.
Midcredits score: 19th percentile of all films
Midcredits score: 21st percentile of all films
The Country Bears(2002)
Midcredits score: 13th percentile of all films
Ultimate X: The Movie(2002)
Midcredits score: 58th percentile of all films
Midcredits score: 45th percentile of all films
Midcredits score: 99th percentile of all films
The Money Pit(1986)
Midcredits score: 57th percentile of all films
Back to the Future(1985)
Midcredits score: 99th percentile of all films
The Goonies(1985)
Midcredits score: 95th percentile of all films
Midcredits score: 92nd percentile of all films
Career shape
A full career of 8 titles from 1984 to 2009.

Biggest box office
Indiana Jones and the Last Crusade (1989)

Highest rated
Indiana Jones and the Last Crusade (1989)
Film career
- 1984Screen debut· Indiana Jones and the Temple of Doom
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Arthur F. Repola's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 10; across a limited sample of 4 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up4
- 50th to 74th2
- 25th to 49th1
- Below 25th3
Shape of the crowd
4 of their 10 titles are Universally Loved.
- Universally Loved4
- Divisive2
- Crowd Pleaser1
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Arthur F. Repola work with?
People who share at least 2 of Arthur F. Repola's MovieCove titles, grouped by what they did on them; Bruce Hendricks shares the most, 2.
Directors
- Bruce HendricksShared titles: Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008), Ultimate X: The Movie (2002)See all 2 shared titles with Bruce Hendricks

Cinematographers
- Mitchell AmundsenShared titles: Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008), Ultimate X: The Movie (2002)See all 2 shared titles with Mitchell Amundsen

- Reed SmootShared titles: Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008), Ultimate X: The Movie (2002)See all 2 shared titles with Reed Smoot
- Rodney TaylorShared titles: Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008), Ultimate X: The Movie (2002)See all 2 shared titles with Rodney Taylor
Producers
- Douglas C. MerrifieldShared titles: Hannah Montana and Miley Cyrus: Best of Both Worlds Concert (2008), Ultimate X: The Movie (2002)See all 2 shared titles with Douglas C. Merrifield

- Frank MarshallShared titles: The Indian in the Cupboard (1995), Indiana Jones and the Last Crusade (1989)See all 2 shared titles with Frank Marshall


