Gina Resnick
- Producer
- 13 on MovieCove · 15 credits in all
What are Gina Resnick's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 12
Light 1 · Serious 5 · Dark 6
Grounded 8 · Stylized 3 · Heightened 1
Gentle 3 · Charged 5 · Intense 4
A split, not a type: Steady 7 · Shifting 4 · Whiplash 1
Straight-faced 10 · Some laughs 2 · Funny 0
Slow burn 7 · Even-paced 5 · Relentless 0
Casual 3 · Engaged 9 · Full focus 0
A split, not a type: Easy watch 3 · Affecting 3 · Heavy 6
A split, not a type: Resolved 6 · Open-ended 4 · Ambiguous 2
Moods and endings
- Happy1
- Bittersweet9
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gina Resnick's films?
As of October 24, 2026, 9 of their 13 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Gina Resnick's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
15 credits, 13 with a MovieCove page.

Monica(2022)
Midcredits score: 58th percentile of all films
Bad Therapy(2020)
Midcredits score: 4th percentile of all films
Lost Child(2017)
Midcredits score: 49th percentile of all films
The Girl in the Book(2015)
Midcredits score: 48th percentile of all films
At the Devil's Door(2014)
Midcredits score: 11th percentile of all films
Brightest Star (not in the MovieCove catalog yet)(2013)

Medeas (not in the MovieCove catalog yet)(2013)

Sympathy for Delicious(2010)
Midcredits score: 33rd percentile of all films
Reservation Road(2007)
Midcredits score: 64th percentile of all films
Imaginary Heroes(2004)
Midcredits score: 74th percentile of all films
Prey for Rock & Roll(2003)
Midcredits score: 44th percentile of all films
Midcredits score: 76th percentile of all films
Clockwatchers(1997)
Midcredits score: 68th percentile of all films
Female Perversions(1996)
Midcredits score: 35th percentile of all films
Solo(1996)
Midcredits score: 5th percentile of all films
Career shape
A full career of 15 titles from 1996 to 2023.

Biggest box office
Solo (1996)

Highest rated
13 Conversations About One Thing (2001)

Most popular right now
Female Perversions (1996)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Gina Resnick's films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 50th percentile for acclaim.
- 75th and up1
- 50th to 74th4
- 25th to 49th5
- Below 25th3
Shape of the crowd
6 of their 13 titles are Mixed.
- Universally Panned2
- Crowd Pleaser4
- Broadly Agreed1
- Mixed6
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Gina Resnick's work okay for kids?
Across up to 6 MovieCove titles with content scores, every category sits near the median of all films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Gina Resnick work with?
People who share at least 2 of Gina Resnick's MovieCove titles, grouped by what they did on them; Eric Cook shares the most, 3.
Directors
- Jill SprecherShared titles: 13 Conversations About One Thing (2001), Clockwatchers (1997)See all 2 shared titles with Jill Sprecher

Writers
- Karen SprecherShared titles: 13 Conversations About One Thing (2001), Clockwatchers (1997)See all 2 shared titles with Karen Sprecher
Editors
- Stephen MirrioneShared titles: 13 Conversations About One Thing (2001), Clockwatchers (1997)See all 2 shared titles with Stephen Mirrione

Producers
- Eric CookShared titles: Monica (2022), Bad Therapy (2020), Lost Child (2017)See all 3 shared titles with Eric Cook

- Kyle HellerShared titles: Bad Therapy (2020), The Girl in the Book (2015), At the Devil's Door (2014)See all 3 shared titles with Kyle Heller
- John FlockShared titles: Clockwatchers (1997), Solo (1996)See all 2 shared titles with John Flock




