- Producer and writer
- 3 on MovieCove
What are Tíbor Reves' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
A split, not a type: Light 1 · Serious 0 · Dark 2
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 0 · Charged 3 · Intense 0
A split, not a type: Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 2 · Some laughs 1 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 2 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Tíbor Reves' films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service, most on Tubi (2).
Subscription and free streaming for Tíbor Reves' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Ten Little Indians(1974)
Midcredits score: 33rd percentile of all films
The Call of the Wild(1972)
Midcredits score: 40th percentile of all films
The Girl from Rio(1969)
Midcredits score: 7th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1969 to 1974.
How do Tíbor Reves' films land?
Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 38th percentile for acclaim.
- 25th to 49th2
- Below 25th1
Shape of the crowd
2 of their 3 titles are Mixed.
- Universally Panned1
- Mixed2
Reviewers score the dialogue 41/100 in their films, across 3 reviewed titles; fans 52, detractors 30. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Tíbor Reves work with?
People who share at least 2 of Tíbor Reves' MovieCove titles, grouped by what they did on them; Harry Alan Towers shares the most, 3.
Writers
- Harry Alan TowersShared titles: Ten Little Indians (1974), The Call of the Wild (1972), The Girl from Rio (1969)See all 3 shared titles with Harry Alan Towers
Actors
- Maria RohmShared titles: Ten Little Indians (1974), The Call of the Wild (1972), The Girl from Rio (1969)See all 3 shared titles with Maria Rohm
Composers
- Carlo RustichelliShared titles: Ten Little Indians (1974), The Call of the Wild (1972)See all 2 shared titles with Carlo Rustichelli
Producers
- Ennio NobiliShared titles: Ten Little Indians (1974), The Call of the Wild (1972)See all 2 shared titles with Ennio Nobili