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MovieCove

Don Reynolds

Producer

Works as
Producer
Titles
12 on MovieCove · 28 credits in all
TMDB popularity, last 38 days to Oct 27Down 12% in 30 days

What are Don Reynolds' films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Society.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 4 · Stylized 2 · Heightened 0

Gentle 1 · Charged 4 · Intense 1

Steady 3 · Shifting 3 · Whiplash 0

Straight-faced 5 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 2 · Relentless 0

Casual 2 · Engaged 3 · Full focus 1

A split, not a type: Resolved 3 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Hopeful
4
Warm
3
Melancholic
3
Dread
2
Other
4

How their films end · 2 with a twist

  • Happy2
  • Bittersweet3
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Don Reynolds' films?

As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for Don Reynolds' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

28 credits, 12 with a MovieCove page.

  • River Queen(2005)

    Producer

    Midcredits score: 44th percentile of all films
  • Peaches (not in the MovieCove catalog yet)(2005)

    Producer

  • Spooked (not in the MovieCove catalog yet)(2004)

    Producer

  • Riverworld(2003)

    Executive Producer

    Midcredits score: 20th percentile of all films
  • The Princess Stallion(1997)

    Producer

    Midcredits score: 57th percentile of all films
  • The Ruby Ring (not in the MovieCove catalog yet)(1997)

    Producer

  • Lost in the Barrens II: The Curse of the Viking Grave (not in the MovieCove catalog yet)(1992)

    Executive Producer

  • The Boy from Andromeda(1991)

    Show Producer

    Midcredits score: 42nd percentile of all shows (provisional, few ratings)
  • Clarence(1990)

    Producer

    Midcredits score: 9th percentile of all films
  • Illustrious Energy (not in the MovieCove catalog yet)(1988)

    Producer

  • A Soldier's Tale(1989)

    Executive Producer

    Midcredits score: 29th percentile of all films
  • Arriving Tuesday (not in the MovieCove catalog yet)(1986)

    Producer

  • Sylvia (not in the MovieCove catalog yet)(1986)

    Producer

  • The Quiet Earth(1985)

    Producer

    Midcredits score: 72nd percentile of all films
  • Trial Run (not in the MovieCove catalog yet)(1985)

    Producer

  • Dangerous Orphans (not in the MovieCove catalog yet)(1985)

    Producer

  • Heart of the Stag (not in the MovieCove catalog yet)(1984)

    Producer

  • Nate and Hayes(1983)

    Sound Recordist

    Midcredits score: 49th percentile of all films
  • Battletruck(1982)

    Sound Mixer

    Midcredits score: 14th percentile of all films
  • Midcredits score: 34th percentile of all films
  • Smash Palace(1981)

    Sound Mixer

    Midcredits score: 80th percentile of all films
  • Beyond Reasonable Doubt (not in the MovieCove catalog yet)(1980)

    Sound

  • Surf Sail (not in the MovieCove catalog yet)(1978)

    Sound

  • A State of Siege (not in the MovieCove catalog yet)(1978)

    Sound

  • New Country - New People (not in the MovieCove catalog yet)(1978)

    Sound

  • The Sealhunters (not in the MovieCove catalog yet)(1973)

    Sound

  • The Water Cycle (not in the MovieCove catalog yet)(1972)

    Sound

  • Midcredits score: 52nd percentile of all films

Career shape

A full career of 26 titles from 1947 to 2005.

By role

only this rolewith another role
Acting1 of 26: 1 only acting, 0 with another roleProducing15 of 26: 15 only producing, 0 with another role · typical Midcredits score44thOther crew10 of 26: 10 only other crew, 0 with another role

By decade

1940s1 · acting1970s5 · crew1980s13 · crew1990s3 · crew2000s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Don Reynolds' films land?

Their typical MovieCove film has a Midcredits score in the 44th percentile, the median of all 11; across their 6 films with reception data, the typical film sits in the 35th percentile for acclaim.

Acclaim · how much people like their films

35thpercentile
Typical film, the median of 6

Approval · how many liked their films

39thpercentile
Typical film, the median of 6

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 6

Midcredits score across 12 titles, by percentile

  • 75th and up1
  • 50th to 74th3
  • 25th to 49th5
  • Below 25th3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Don Reynolds work with?

People who share at least 2 of Don Reynolds' MovieCove titles, grouped by what they did on them; Alun Bollinger shares the most, 2.

Composers, cinematographers and editors

Producers