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Sheldon Reynolds

Director, writer and producer

Works as
Director, writer and producer
Titles
4 on MovieCove · 10 credits in all
TMDB popularity, last 38 days to Oct 27Down 40% in 30 days

What are Sheldon Reynolds' films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 1 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

A split, not a type: Steady 2 · Shifting 1 · Whiplash 1

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 3 · Even-paced 1 · Relentless 0

Casual 0 · Engaged 4 · Full focus 0

Resolved 2 · Open-ended 2 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Melancholic
2
Thrilling
2
Contemplative
1
Absurd
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Sheldon Reynolds' films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Sheldon Reynolds' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 4 with a MovieCove page.

  • Sherlock Holmes and Dr. Watson (not in the MovieCove catalog yet)(1979)

    Show 24 episodes · Creator · Producer

  • Assignment to Kill(1968)

    Director · Writer

    Midcredits score: 39th percentile of all films
  • Killer's Carnival(1966)

    Director · Screenplay

    Midcredits score: 13th percentile of all films
  • Midcredits score: 15th percentile of all films
  • Sophia Loren in Rome (not in the MovieCove catalog yet)(1964)

    Director · Writer

  • The Dow Hour of Great Mysteries (not in the MovieCove catalog yet)(1960)

    Show 2 episodes · Adaptation · Writer

  • Dick and the Duchess (not in the MovieCove catalog yet)(1957)

    Show Creator

  • Foreign Intrigue(1956)

    Director · Producer · Story · Writer

    Midcredits score: 38th percentile of all films
  • Sherlock Holmes (not in the MovieCove catalog yet)(1954)

    Show 9 episodes · Director

  • Foreign Intrigue (not in the MovieCove catalog yet)(1951)

    Show Creator

Career shape

A full career of 10 titles from 1951 to 1979.

By role

only this rolewith another role
Directing6 of 10: 2 only directing, 4 with another roleWriting5 of 10: 1 only writing, 4 with another roleProducing2 of 10: 0 only producing, 2 with another roleOther crew3 of 10: 2 only other crew, 1 with another role

10 titles, 5 with more than one role — directing and writing overlap on 4 of them.

By decade

1950s4 · crew1960s5 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Sheldon Reynolds' films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 35th percentile for acclaim.

Acclaim · how much people like their films

35thpercentile
Typical film, the median of 4

Approval · how many liked their films

23rdpercentile
Typical film, the median of 4

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th2
  • Below 25th2

Shape of the crowd

None of their 4 titles divides audiences: 2 are Broadly Agreed.

  • Broadly Agreed2
  • Mixed2

Reviewers score the atmosphere 66/100 and the pacing 33/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Sheldon Reynolds work with?

People who share at least 2 of Sheldon Reynolds' MovieCove titles; Lex Barker shares the most, 2.