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Wayne Allan Rice

Producer and writer

Works as
Producer and writer
Titles
14 on MovieCove · 19 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 28% in 30 days

What are Wayne Allan Rice's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
41%
Self
23%
Morality
16%
Power
7%
Survival
6%
Society
6%
Ideas
1%
Family bonds7 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeRomantic love4 titles, browse their movies with this themeDeception4 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeBetrayal2 titles, browse their movies with this themeFriendship2 titles, browse their movies with this theme

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 9 · Serious 2 · Dark 2

Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 12 · Stylized 1 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 9 · Charged 2 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 10 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 7 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 9 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 10 · Engaged 2 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 11 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
8
Warm
6
Tense
4
Absurd
4
Hopeful
4
Other
10

How their films linger

Feel-good10 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy9
  • Bittersweet2
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Wayne Allan Rice's films?

As of October 24, 2026, 8 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Also on these channels

Subscription and free streaming for Wayne Allan Rice's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The Last Summer(2019)

    Producer

    Midcredits score: 31st percentile of all films

  • Mother's Day(2016)

    Producer

    Midcredits score: 23rd percentile of all films

  • Criminal Activities(2015)

    Producer

    Midcredits score: 35th percentile of all films

  • New Year's Eve(2011)

    Producer

    Midcredits score: 27th percentile of all films

  • 11-11-11 (not in the MovieCove catalog yet)(2011)

    Producer

  • Valentine's Day(2010)

    Producer

    Midcredits score: 32nd percentile of all films

  • House Broken(2010)

    Producer

    Midcredits score: 13th percentile of all films

  • Finding Amanda(2008)

    Producer

    Midcredits score: 25th percentile of all films

  • Killer Pad (not in the MovieCove catalog yet)(2008)

    Producer

  • Chasing Liberty(2004)

    Executive Producer

    Midcredits score: 44th percentile of all films

  • Dude, Where's My Car?(2000)

    Producer

    Midcredits score: 28th percentile of all films

  • The Runner (not in the MovieCove catalog yet)(1999)

    Producer

  • Lost & Found(1999)

    Producer

    Midcredits score: 12th percentile of all films

  • Suicide Kings(1997)

    Producer · Screenplay

    Midcredits score: 71st percentile of all films

  • Just Like Dad(1995)

    Writer

    Midcredits score: 34th percentile of all films

  • The Man from Left Field(1993)

    Co-Producer · Writer

    Midcredits score: 38th percentile of all films

  • Class Act(1992)

    Story

    Midcredits score: 47th percentile of all films

  • Only You (not in the MovieCove catalog yet)(1992)

    Producer · Writer

  • Freddy's Nightmares (not in the MovieCove catalog yet)(1988)

    Show 1 episode · Writer

Career shape

A full career of 19 titles from 1988 to 2019.

Biggest box office

Valentine's Day (2010)

$217M worldwide

Highest rated

Suicide Kings (1997)

Midcredits 71st

Most popular right now

New Year's Eve (2011)

By role

only this rolewith another role
Writing6 of 19: 3 only writing, 3 with another roleProducing16 of 19: 13 only producing, 3 with another role · typical Midcredits score30th

19 titles, 3 with more than one role — producing and writing overlap on 3 of them.

By decade

1980s1 · crew1990s7 · crew2000s5 · crew2010s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Wayne Allan Rice's films land?

Their typical MovieCove film has a Midcredits score in the 32nd percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 28th percentile for acclaim.

Acclaim · how much people like their films

28thpercentile
Typical film, the median of 13

Approval · how many liked their films

32ndpercentile
Typical film, the median of 13

Reach · how many have seen their films

89thpercentile
Typical film, the median of 13

Midcredits score across 14 titles, by percentile

  • 50th to 74th1
  • 25th to 49th10
  • Below 25th3

Shape of the crowd

11 of their 14 titles are Mixed.

  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed11

Most divisive · writer, producer

The Man from Left Field (1993)

67th percentile spread · 24% rated it 4 or lower

Most loved · writer, producer

Suicide Kings (1997)

Midcredits 71st · 70% liked

Reviewers score the dialogue 43/100 and the plot and story 35/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Wayne Allan Rice's work okay for kids?

Across up to 8 MovieCove titles with content scores, sex & nudity runs heavier than most films and violence & gore lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles0–59 · median 13 · minimallighter than most filmsMedian of all films: 44
Sex & Nudity8 titles30–59 · median 44 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles37–80 · median 42 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs5 titles17–59 · median 35 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense4 titlesmedian 8 · minimalMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Wayne Allan Rice work with?

People who share at least 2 of Wayne Allan Rice's MovieCove titles, grouped by what they did on them; John Debney shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers