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Mary Richards

Producer

Primetime Emmy winner

Works as
Producer
Titles
24 on MovieCove · 25 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 63 days to Oct 26Down 25% in 30 days

What are Mary Richards' films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Comedy4 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Comedy movies
Adventure3 titlesTypical Midcredits score: 62nd percentile
: browse their Adventure movies
Biography3 titlesTypical Midcredits score: 70th percentile, at or above their average across these genres
: browse their Biography movies
Action2 titlesTypical Midcredits score: 28th percentile
: browse their Action movies
Drama2 titlesTypical Midcredits score: 93rd percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
29%
Bonds
21%
Power
18%
Morality
17%
Society
9%
Ideas
4%
Survival
3%
Identity4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themePurpose3 titles, browse their movies with this themePower2 titles, browse their movies with this themeAmbition3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 1 · Dark 8

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 4 · Heightened 5

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 4 · Charged 1 · Intense 9

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 7 · Shifting 6 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 7 · Some laughs 5 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 7 · Even-paced 7 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 5 · Engaged 4 · Full focus 5

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 3 · Heavy 5

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 9 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Dread
7
Romantic
5
Joyful
4
Melancholic
2
Other
11

How their films linger

Feel-good5 titles, browse their movies with this aftertasteHaunting6 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteBittersweet4 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteDevastating2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy4
  • Bittersweet6
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mary Richards' films?

As of October 24, 2026, 14 of their 24 MovieCove titles stream on a subscription or free service, most on Pluto TV (4).

Subscription and free streaming for Mary Richards' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 24 with a MovieCove page.

  • Will(2017)

    Show 1 episode · Producer

    Midcredits score: 41st percentile of all shows

  • Exodus: Gods and Kings(2014)

    Producer

    Midcredits score: 35th percentile of all films

  • The Counselor(2013)

    Producer

    Midcredits score: 20th percentile of all films

  • Prometheus(2012)

    Producer

    Midcredits score: 76th percentile of all films

  • Alice in Wonderland(2010)

    Line Producer

    Midcredits score: 62nd percentile of all films

  • The Boy in the Striped Pajamas(2008)

    Line Producer

    Midcredits score: 95th percentile of all films

  • Elizabeth: The Golden Age(2007)

    Co-Producer

    Midcredits score: 70th percentile of all films

  • Starter for 10(2006)

    Producer

    Midcredits score: 71st percentile of all films

  • Wimbledon(2004)

    Producer

    Midcredits score: 57th percentile of all films

  • The Computer Virus (not in the MovieCove catalog yet)(2004)

    Associate Producer

  • Sylvia(2003)

    Line Producer

    Midcredits score: 52nd percentile of all films

  • Band of Brothers(2001)

    Show 10 episodes · Producer

    Midcredits score: 99th percentile of all shows

  • Planet of the Apes(2001)

    Unit Production Manager

    Midcredits score: 26th percentile of all films

  • Maybe Baby(2000)

    Line Producer

    Midcredits score: 29th percentile of all films

  • Notting Hill(1999)

    Line Producer

    Midcredits score: 89th percentile of all films

  • Elizabeth(1998)

    Line Producer

    Midcredits score: 92nd percentile of all films

  • The Borrowers(1997)

    Line Producer

    Midcredits score: 42nd percentile of all films

  • Richard III(1995)

    Associate Producer

    Midcredits score: 90th percentile of all films

  • Princess Caraboo(1994)

    Production Supervisor

    Midcredits score: 41st percentile of all films

  • Four Weddings and a Funeral(1994)

    Production Supervisor

    Midcredits score: 81st percentile of all films

  • Afraid of the Dark(1991)

    Production Manager

    Midcredits score: 36th percentile of all films

  • A Kiss Before Dying(1991)

    Production Manager

    Midcredits score: 27th percentile of all films

  • Nuns on the Run(1990)

    Production Manager

    Midcredits score: 40th percentile of all films

  • The Rachel Papers(1989)

    Production Manager

    Midcredits score: 37th percentile of all films

  • Greystoke: The Legend of Tarzan, Lord of the Apes(1984)

    Production Secretary

    Midcredits score: 56th percentile of all films

Career shape

A full career of 22 titles from 1984 to 2017.

Biggest box office

Alice in Wonderland (2010)

$1B worldwide

Highest rated

The Boy in the Striped Pajamas (2008)

Midcredits 95th

Most popular right now

Alice in Wonderland (2010)

By role

only this rolewith another role
Producing14 of 22: 14 only producing, 0 with another role · typical Midcredits score70thOther crew8 of 22: 8 only other crew, 0 with another role · typical Midcredits score39th

By decade

1980s2 · crew1990s9 · crew2000s9 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Won a Primetime Emmy in 2002, Outstanding Miniseries.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Mary Richards' films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 22; across their 14 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 14

Approval · how many liked their films

65thpercentile
Typical film, the median of 14

Reach · how many have seen their films

95thpercentile
Typical film, the median of 14

Midcredits score across 24 titles, by percentile

  • 75th and up7
  • 50th to 74th6
  • 25th to 49th10
  • Below 25th1

Shape of the crowd

10 of their 24 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser10
  • Broadly Agreed5
  • Mixed6

Most divisive · producer

Will (2017)

59th percentile spread · 14% rated it 4 or lower

Most loved · producer

Band of Brothers (2001)

Midcredits 99th · 92% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mary Richards' work okay for kids?

Across up to 12 MovieCove titles with content scores, violence & gore and frightening / intense run heavier than most films and profanity lighter.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles4–86 · median 61 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity12 titles13–67 · median 35 · mildnear the median of all filmsMedian of all films: 32
Profanity11 titles2–58 · median 17 · mildlighter than most filmsMedian of all films: 36
Alcohol & Drugs11 titles24–70 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles4–82 · median 60 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mary Richards work with?

People who share at least 2 of Mary Richards' MovieCove titles, grouped by what they did on them; Eric Fellner shares the most, 5.

Directors

Writers

Actors

Cinematographers and editors

Producers