Bruno Ridolfi

What are Bruno Ridolfi's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bruno Ridolfi's films?

As of October 26, 2026, none of Bruno Ridolfi's 5 MovieCove titles is streaming on a subscription or free service.

Subscription and free streaming for Bruno Ridolfi's titles on MovieCove; rent and buy are not counted.

Filmography

5 credits, 5 with a MovieCove page.

• 

  My Brother Is an Only Child(2007)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  Romanzo Criminale(2005)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  Il siero della vanità(2003)

  Producer

  Midcredits score: 34th percentile of all films34^th
• 

  A Scandalous Journey(2002)

  Producer

  Midcredits score: 34th percentile of all films34^th
• 

  Let's Hope It's a Girl(1986)

  Producer

  Midcredits score: 68th percentile of all films68^th

Career shape

Across their 5 MovieCove titles from 1986 to 2007.

Biggest box office

My Brother Is an Only Child (2007)

$13M worldwide

Highest rated

Romanzo Criminale (2005)

Midcredits 88^th

How do Bruno Ridolfi's films land?

Their typical MovieCove film has a Midcredits score in the 68^th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 71^st percentile for acclaim.

Shape of the crowd

None of their 5 titles divides audiences: 3 are Crowd Pleasers.

32

• Crowd Pleaser3
• Mixed2

Most loved · producer

Romanzo Criminale (2005)

Midcredits 88^th · 77% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bruno Ridolfi work with?

People who share at least 2 of Bruno Ridolfi's MovieCove titles, grouped by what they did on them; Esmeralda Calabria shares the most, 3.