Everett Riskin

What are Everett Riskin's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Everett Riskin's films?

As of October 24, 2026, 5 of their 16 MovieCove titles stream on a subscription or free service, most on The Roku Channel (3).

• The Roku Channel3 titles, browse their movies on this service
  • Holiday (1938) · producer · free
  • A Feather in Her Hat (1935) · producer · free
  • Black Moon (1934) · producer · free
• HBO Max2 titles, browse their movies on this service
  • The Thin Man Goes Home (1944) · producer
  • Kismet (1944) · producer
• Prime Video1 title, browse their movies on this service
  • Black Moon (1934) · producer

Subscription and free streaming for Everett Riskin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 16 with a MovieCove page.

• 

  Thunder in the East(1952)

  Producer

  Midcredits score: 39th percentile of all films39^th
• 

  Julia Misbehaves(1948)

  Producer

  Midcredits score: 74th percentile of all films74^th
• 

  High Barbaree(1947)

  Producer

  Midcredits score: 56th percentile of all films56^th
• 

  Kismet(1944)

  Producer

  Midcredits score: 38th percentile of all films38^th
• 

  A Guy Named Joe(1943)

  Producer

  Midcredits score: 76th percentile of all films76^th
• 

  The Thin Man Goes Home(1944)

  Producer

  Midcredits score: 89th percentile of all films89^th
• 

  Here Comes Mr. Jordan(1941)

  Producer

  Midcredits score: 91st percentile of all films91^st
• 

  The Amazing Mr. Williams(1939)

  Producer

  Midcredits score: 66th percentile of all films66^th
• 

  I Am the Law(1938)

  Producer

  Midcredits score: 67th percentile of all films67^th
• 

  Holiday(1938)

  Producer

  Midcredits score: 96th percentile of all films96^th
• 

  The Awful Truth(1937)

  Associate Producer

  Midcredits score: 95th percentile of all films95^th
• 

  Let's Get Married (not in the MovieCove catalog yet)(1937)

  Producer
• 

  More Than a Secretary (not in the MovieCove catalog yet)(1936)

  Producer
• 

  Theodora Goes Wild (not in the MovieCove catalog yet)(1936)

  Associate Producer
• 

  Adventure in Manhattan (not in the MovieCove catalog yet)(1936)

  Producer
• 

  If You Could Only Cook(1935)

  Associate Producer · Producer

  Midcredits score: 81st percentile of all films81^st
• 

  A Feather in Her Hat(1935)

  Producer

  Midcredits score: 53rd percentile of all films53^rd
• 

  I'll Love You Always (not in the MovieCove catalog yet)(1935)

  Producer
• 

  She Married Her Boss(1935)

  Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  One Night of Love(1934)

  Associate Producer

  Midcredits score: 25th percentile of all films25^th
• 

  Black Moon(1934)

  Associate Producer

  Midcredits score: 33rd percentile of all films33^rd

Career shape

A full career of 19 titles from 1934 to 1952.

Biggest box office

Holiday (1938)

$16K worldwide

Highest rated

Holiday (1938)

Midcredits 96^th

Most popular right now

Here Comes Mr. Jordan (1941)

How do Everett Riskin's films land?

Their typical MovieCove film has a Midcredits score in the 67^th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 69^th percentile for acclaim.

Shape of the crowd

None of their 16 titles divides audiences: 9 are Crowd Pleasers.

394

• Universally Loved3
• Crowd Pleaser9
• Broadly Agreed4

Most loved · producer

Holiday (1938)

Midcredits 96^th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Everett Riskin work with?

People who share at least 2 of Everett Riskin's MovieCove titles, grouped by what they did on them; Sidney Buchman shares the most, 4.