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Giorgio Venturini

Producer and director

Works as
Producer and director
Titles
8 on MovieCove · 34 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 10% in 30 days

What are Giorgio Venturini's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Power and Morality.

Genres

Action2 titlesTypical Midcredits score: 10th percentile
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 18th percentile, at or above their average across these genres
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Power
31%
Morality
23%
Bonds
16%
Self
16%
Society
14%
Romantic love2 titles, browse their movies with this themePower2 titles, browse their movies with this themeJustice2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 3 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 2 · Stylized 2 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 5 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 4 · Funny 1

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 5 · Even-paced 1 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Absurd
3
Thrilling
2
Cold
1
Joyful
1
Other
4

How their films linger

Feel-good3 titles, browse their movies with this aftertasteRousing4 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy6
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Giorgio Venturini's films?

As of October 24, 2026, 3 of their 8 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Giorgio Venturini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

34 credits, 8 with a MovieCove page.

  • Paulo Roberto Cotechiño centravanti di sfondamento(1983)

    Producer

    Midcredits score: 15th percentile of all films

  • The Humanoid(1979)

    Producer

    Midcredits score: 3rd percentile of all films

  • La madama (not in the MovieCove catalog yet)(1976)

    Producer

  • La colonna infame (not in the MovieCove catalog yet)(1973)

    Producer

  • Don Juan, or If Don Juan Were a Woman(1973)

    Producer

    Midcredits score: 17th percentile of all films

  • Dead of Summer (not in the MovieCove catalog yet)(1970)

    Producer

  • Dirty Angels (not in the MovieCove catalog yet)(1969)

    Producer

  • The Sex of Angels (not in the MovieCove catalog yet)(1968)

    Producer

  • She Lost Her... You Know What(1968)

    Producer

    Midcredits score: 11th percentile of all films

  • Mutiny at Fort Sharpe(1966)

    Producer

    Midcredits score: 24th percentile of all films (provisional, few ratings)

  • A Queen for Caesar (not in the MovieCove catalog yet)(1962)

    Producer

  • The Avenger(1962)

    Director · Producer

    Midcredits score: 24th percentile of all films

  • Tartar Invasion(1961)

    Producer

    Midcredits score: 8th percentile of all films (provisional, few ratings)

  • The Pharaohs' Woman (not in the MovieCove catalog yet)(1960)

    Producer

  • The Cossacks (not in the MovieCove catalog yet)(1960)

    Director

  • Goddess Of Love (not in the MovieCove catalog yet)(1957)

    Director

  • The Widow (not in the MovieCove catalog yet)(1955)

    Producer

  • Cartouche(1955)

    Producer

    Midcredits score: 11th percentile of all films (provisional, few ratings)

  • Il prigioniero del re (not in the MovieCove catalog yet)(1954)

    Director · Producer

  • Mystery of the Black Jungle (not in the MovieCove catalog yet)(1954)

    Producer

  • The Treasure of Bengal (not in the MovieCove catalog yet)(1953)

    Producer

  • Traviata 53 (not in the MovieCove catalog yet)(1953)

    Producer

  • The Glorious Avenger (not in the MovieCove catalog yet)(1953)

    Producer

  • I Piombi di Venezia (not in the MovieCove catalog yet)(1953)

    Producer

  • Son of the Hunchback (not in the MovieCove catalog yet)(1952)

    Producer

  • Milady and the Musketeers (not in the MovieCove catalog yet)(1952)

    Producer

  • The Mistress of Treves (not in the MovieCove catalog yet)(1952)

    Producer

  • Abbiamo vinto! (not in the MovieCove catalog yet)(1951)

    Executive Producer

  • Ha fatto 13 (not in the MovieCove catalog yet)(1951)

    Producer

  • Capitan Demonio (not in the MovieCove catalog yet)(1950)

    Producer

  • La mano della morta (not in the MovieCove catalog yet)(1949)

    Producer

  • The Last Supper (not in the MovieCove catalog yet)(1949)

    Producer · Writer

  • Superstition (not in the MovieCove catalog yet)(1948)

    Producer

  • Fantasmi del mare (not in the MovieCove catalog yet)(1948)

    Producer

Career shape

A full career of 31 titles from 1948 to 1979.

Highest rated

Don Juan, or If Don Juan Were a Woman (1973)

Midcredits 17th

By role

only this rolewith another role
Directing4 of 31: 3 only directing, 1 with another roleWriting1 of 31: 0 only writing, 1 with another roleProducing28 of 31: 26 only producing, 2 with another role

By decade

1940s4 · crew1950s15 · crew1960s7 · crew1970s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Giorgio Venturini's films land?

Their typical MovieCove film has a Midcredits score in the 13th percentile, the median of all 8; across their 7 films with reception data, the typical film sits in the 20th percentile for acclaim.

Acclaim · how much people like their films

20thpercentile
Typical film, the median of 7

Approval · how many liked their films

10thpercentile
Typical film, the median of 7

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 7

Midcredits score across 8 titles, by percentile

  • Below 25th8

Shape of the crowd

7 of their 8 titles are Mixed.

  • Universally Panned1
  • Mixed7

Most divisive · producer

She Lost Her... You Know What (1968)

62nd percentile spread · 43% rated it 4 or lower

Most loved · director, producer

The Avenger (1962)

Midcredits 24th · 23% liked

Reviewers score the atmosphere 46/100 and the pacing 38/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Giorgio Venturini work with?

People who share at least 2 of Giorgio Venturini's MovieCove titles, grouped by what they did on them; Massimo Serato shares the most, 2.

Actors

Editors