- Producer, director and writer
- 5 on MovieCove
What are Fernand Rivers' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Power and Bonds.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
Light 0 · Serious 4 · Dark 1
Grounded 2 · Stylized 2 · Heightened 1
Gentle 0 · Charged 4 · Intense 1
A split, not a type: Steady 3 · Shifting 1 · Whiplash 1
Straight-faced 5 · Some laughs 0 · Funny 0
A split, not a type: Slow burn 2 · Even-paced 3 · Relentless 0
Casual 2 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 4 · Heavy 0
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Bittersweet4
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Fernand Rivers' films?
As of October 27, 2026, none of Fernand Rivers' 5 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Fernand Rivers' titles on MovieCove; rent and buy are not counted.
Filmography
5 credits, 5 with a MovieCove page.
Douze heures d'horloge(1959)
Midcredits score: 27th percentile of all films
Midcredits score: 39th percentile of all films
Tower of Lust(1955)
Midcredits score: 25th percentile of all films
L'embuscade(1941)
Midcredits score: 53rd percentile of all films (provisional, few ratings)
La dame aux camélias(1934)
Midcredits score: 46th percentile of all films (provisional, few ratings)
Career shape
Across their 5 MovieCove titles from 1934 to 1959.
How do Fernand Rivers' films land?
Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 50th to 74th1
- 25th to 49th4
Shape of the crowd
5 of their 5 titles are Mixed.
- Mixed5
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Fernand Rivers work with?
People who share at least 2 of Fernand Rivers' MovieCove titles, grouped by what they did on them; Abel Gance shares the most, 2.
Directors
- Abel GanceShared titles: Tower of Lust (1955), La dame aux camélias (1934)See all 2 shared titles with Abel Gance
Actors
- Armand LurvilleShared titles: L'embuscade (1941), La dame aux camélias (1934)See all 2 shared titles with Armand Lurville
- Rivers CadetShared titles: L'embuscade (1941), La dame aux camélias (1934)See all 2 shared titles with Rivers Cadet
Producers
- Gustave JifShared titles: Douze heures d'horloge (1959), The Light Across the Street (1955)See all 2 shared titles with Gustave Jif
- René SaurelShared titles: Douze heures d'horloge (1959), The Light Across the Street (1955)See all 2 shared titles with René Saurel