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MovieCove

Steve Robbins

Producer

Works as
Producer
Titles
14 on MovieCove · 15 credits in all
TMDB popularity, last 38 days to Oct 27Down 30% in 30 days

What are Steve Robbins' films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 7 · Stylized 3 · Heightened 2

Gentle 3 · Charged 5 · Intense 4

Steady 6 · Shifting 5 · Whiplash 1

A split, not a type: Straight-faced 6 · Some laughs 2 · Funny 4

Slow burn 4 · Even-paced 6 · Relentless 2

Casual 7 · Engaged 4 · Full focus 1

Resolved 11 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Joyful
5
Thrilling
6
Dread
3
Romantic
2
Other
12

How their films end · 1 with a twist

  • Happy8
  • Bittersweet5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Steve Robbins' films?

As of October 24, 2026, 10 of their 14 MovieCove titles stream on a subscription or free service, most on The Roku Channel (6).

Subscription and free streaming for Steve Robbins' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 14 with a MovieCove page.

  • Odd Thomas(2013)

    Executive Producer

    Midcredits score: 73rd percentile of all films
  • Ironclad(2011)

    Executive Producer

    Midcredits score: 46th percentile of all films
  • Game of Death(2011)

    Producer

    Midcredits score: 9th percentile of all films
  • Machete(2010)

    Producer

    Midcredits score: 64th percentile of all films
  • K9(2009)

    Show Producer

    Midcredits score: 7th percentile of all shows
  • The Wedding Date(2005)

    Executive Producer

    Midcredits score: 49th percentile of all films
  • Beyond the Sea(2004)

    Executive Producer

    Midcredits score: 62nd percentile of all films
  • In My Father's Den(2004)

    Producer

    Midcredits score: 92nd percentile of all films
  • Bright Young Things(2003)

    Executive Producer

    Midcredits score: 63rd percentile of all films
  • Crime Spree(2003)

    Executive Producer

    Midcredits score: 54th percentile of all films
  • Quicksand(2003)

    Executive Producer

    Midcredits score: 15th percentile of all films
  • Absolon(2003)

    Producer

    Midcredits score: 4th percentile of all films
  • Midcredits score: 65th percentile of all films
  • Partners in Action (not in the MovieCove catalog yet)(2002)

    Executive Producer

  • Crocodile Dundee in Los Angeles(2001)

    Executive Producer

    Midcredits score: 10th percentile of all films

Career shape

A full career of 9 titles from 2001 to 2013.

By role

only this rolewith another role
Producing9 of 9: 9 only producing, 0 with another role · typical Midcredits score52nd

By decade

2000s7 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Steve Robbins' films land?

Their typical MovieCove film has a Midcredits score in the 54th percentile, the median of all 13; across their 12 films with reception data, the typical film sits in the 47th percentile for acclaim.

Acclaim · how much people like their films

47thpercentile
Typical film, the median of 12

Approval · how many liked their films

55thpercentile
Typical film, the median of 12

Reach · how many have seen their films

85thpercentile
Typical film, the median of 12

Midcredits score across 14 titles, by percentile

  • 75th and up1
  • 50th to 74th6
  • 25th to 49th2
  • Below 25th5

Shape of the crowd

7 of their 14 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser7
  • Broadly Agreed2
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Steve Robbins' work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 93 · severeMedian of all films: 44
Sex & Nudity6 titles17–69 · median 47 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 27 · mildMedian of all films: 36
Frightening / Intense3 titlesmedian 65 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Steve Robbins work with?

People who share at least 2 of Steve Robbins' MovieCove titles, grouped by what they did on them; Jim Reeve shares the most, 9.

Writers

Editors

Producers